Wolfgang Mozart joined the order of the freemasons at the lodge "Zur Wohltдtigkeit" (Benefaction) in Vienna on December 14, 1784. Mozart and freemasonry seemed an ideal match, and in a little over a year he would achieve the status of "master mason." A small number of works among Mozart's late output was intended directly for use in Masonic lodges, and two major non-Masonic works, the opera Die Zauberflцte (The Magic Flute, K. 620) and the Requiem K. 626, share strong Masonic connections. The best known of Mozart's Masonic compositions is the Maurerische Trauermusik, K. 477 (479a) scored originally for two violins, two violas, clarinet, basset horn, two oboes, two horns, and bass. Mozart later added parts for two additional basset horns and bassoon, resulting in an instrumentation absolutely unique in Mozart's vast output…- David Lewis
Mozart was admitted as an apprentice to the Viennese Masonic lodge called “Zur Wohltätigkeit” (“Beneficence”) on 14 December 1784. He was promoted to journeyman Mason on 7 January 1785, and became a master Mason “shortly thereafter”. Mozart’s position within the Masonic movement, according to Maynard Solomon, lay with the rationalist, Enlightenment-inspired membership, as opposed to those members oriented toward mysticism and the occult...
Jean Sibelius (8 December 1865 – 20 September 1957), was a Finnish composer and violinist of the late Romantic and early-modern periods. He is widely recognized as his country's greatest composer and, through his music, is often credited with having helped Finland to develop a national identity during its struggle for independence from Russia.
The Mozart Requiem is one of the best-known sacred works in the classical repertoire. It was the composer's last work, and he left it unfinished at his death. British conductor Roger Norrington, a pioneer of authentic performing practice, and an outstanding group of singers present Duncan Druce's version of the Requiem, based on the latest Mozart research, together with other moving choral works.
Great Britain’s famous Proms concerts usually end with a program that is British to the core, featuring many favorites that English audiences expect in the same way that Viennese audiences expect their Radetzky March on New Year’s. Let’s make this clear, then, from the start. This is not an actual Proms performance but a studio recording of music that is usually heard at that event. It is English to the core; about four tracks in, you’ll feel like you should be saluting as the Queen passes by.