Join Chris Agnelli as he presents the first of a trio of courses using our "Hero" vocals. This one is in Logic Pro X and in a Future / Disco / House style - think, 80's cop sent from the future, back in time.. in a spaceship.
In this course, author Josh Harris shows how to create radio and club arrangements, and a radio edit of a club mix. He utilizes four different digital audio workstations (DAWs)—Pro Tools, Ableton Live, Logic, and Reason—and shows how to build different arrangements from the ground up, by adding guitars, drums, bass, and synths. Each DAW explores different types of arranging scenarios. Plus, learn how to add ear candy and take your arrangements to another level.
Back in 2014, the Brooklyn Youth Chorus performed a stage work as part of BAM’s Next Wave Festival, and they’ve recorded the piece in a studio for their debut album Black Mountain Songs. The project was co-curated by the National’s Bryce Dessner and Arcade Fire’s Richard Reed Parry, and the first track that’s being shared from it is its title track, which was composed by Dessner. The rest of the album features contributions from Parry, Caroline Shaw, Nico Muhly, and Tim Hecker.
December holds in its hands many worlds of celebration as the month unfolds with Hanukkah, Winter Solstice, Christmas and the eve of the New Year. Over the centuries a great deal of music has marked this time of year, but very little has been added to the canon in recent decades. Gordon Getty inspired us with his composition of delightful new Christmas carols to invite a group of American composers to celebrate the season in music. The result is a rich and tuneful recording of new holiday classics for you to share with your friends and families. We hope that you enjoy this festive and joyous music throughout the season and for many years to come.
Kathleen Battle ended her operatic career on a sour note when she was fired from the MET, and this album somehow reflects that–it lacks her usual vivacity and joy. This is the only recital I've heard form her that's routine, and things aren't helped by the fact that her voice, a light colorature, isn't substantial enough for many of these arias, which are for a lyric soprano.By Santa Fe Listener