Many collectors would agree that Sviatoslav Richter was the greatest pianist of the 20th century. His enormous recorded legacy hides hundreds of treasures, many of which are included in this beautiful 51CD set. Released to celebrate the 100th anniversary of his birth (20th March 2015), the edition encompasses his complete Decca, Philips and DG recordings, including his Sofia Recital as well as his collaborations with Rostropovich, Karajan and Benjamin Britten.
Fans of either cellist Mstislav Rostropovich or pianist Sviatoslav Richter will have to hear the performances on this two-disc Doremi set. It contains the four pieces they performed in Moscow on March 1, 1950 Brahms' Sonata No. 1 and Beethoven's sonatas No. 3 and No. 4, plus the world premiere of Prokofiev's sonata and two of the pieces they played at the Aldeburgh Festival on June 20, 1964 Grieg's sonata as well as another Brahms' Sonata No. 1.
One of the most beautiful and definitive tracks in Max Richter's ever-growing body of work is "On the Nature of Daylight" from The Blue Notebooks, the album that brought him to the attention of many critics and fans. Since that breakthrough, he's developed a niche as a composer ready and willing to revamp the classics, as he did with Vivaldi's The Four Seasons, as well as a sensitive and versatile composer of scores for films ranging from looks at the not-so-tame secret lives of domesticated animals (Die Fremde) to dystopian sci-fi (Perfect Sense). Richter's music for Disconnect is an intersection of those career paths: the score uses "Daylight" as its emotional and musical focus, surrounding it with pieces that echo and complement it…
Following his successful 2012 release of the Tchaikovsky Piano Concerto No. 1 with Valery Gergiev and the Mariinsky Orchestra, Russian pianist Daniil Trifonov tries on the more intimate role of recitalist for this live Decca album of solo piano pieces by Frédéric Chopin. Trifonov is a powerhouse in the Lisztian mold, and his incredible technique seems better suited to fast, flashy fingerwork than to more subdued music. Certain pieces, such as the Rondo in F major, Op. 5, "À la Mazur," the Étude in F major, Op. 10/8, and the Grande Valse Brillante, Op. 18, allow feats of prestidigitation, and there's no denying that he can perform with dazzling virtuosity.
This box set gathers together Karl Richter's stereo recordings of Bach's choral works that were recorded between 1959-1969. Missing is his final, digital St Matt, the 1961 Mass in B Minor (the 1969 "from Japan" recording is included) and an earlier mono Christmas Oratorio (available on Teldec CDs).
For the 100th anniversary of Sviatoslav Richter, Firma Melodiya presents its arguably biggest project in its semicentennial history: a 50-CD set of Sviatoslav Richters concert recordings! This collection is far from the complete phonographic legacy of the great musician. Nevertheless, the set includes plenty of exclusive, previously unreleased recordings that will make the hearts of even most erudite connoisseurs and collectors rejoice.