“…an exciting technique and keen intelligence animated by an impetuous temperament…a remarkable talent.”(The New York Times)
British pianist Jonathan Plowright makes his début recording on BIS. Hailed by Gramophone as ‘one of the finest living pianists’, Plowright is recognised worldwide as a truly exceptional artist. Brahms’s Piano Sonata No. 3 is heroic in scale, unconventional in layout and exudes high quality making it one of the most impressive sonatas since those of Beethoven and Schubert.
Following his recent dazzling Liszt recital (CDA67085), Stephen Hough turns his attention to the finest works of the young Brahms. Brahms's three piano sonatas are early works, culminating with the epic F minor Sonata. Spanning five movements, with dramatic and wildly virtuosic outer movements, and a hauntingly beautiful slow movement (described by Claudio Arrau as "the greatest love music after Tristan, and the most erotic"), this is one of the defining piano sonatas of the mid-nineteenth century.
Piano superstar Evgeny Kissin's new Prokofiev album - with his first-ever recording of Piano Concerto No. 2! For his third EMI Classics release, piano legend Evgeny Kissin has turned to repertoire from his native Russia, Sergei Prokofiev's Piano Concertos Nos.2 & 3. The performances were recorded live at the Royal Festival Hall in January 2008 with Vladimir Ashkenazy conducting the Philharmonia Orchestra. This is Kissin's first recording of Prokofiev's Concerto No.2, and the collaboration here with Vladimir Ashkenazy is an inspired choice - in addition to his renown as a conductor, fellow-Russian-born Ashkenazy is one of the finest pianists of his generation and a champion of the Russian piano repertoire. These two great artists inspire each other to the heights of artistry, and these recordings prove it!
Weissenberg's Chopin is not for the faint hearted, but it does have its fans. No less a pianist than Glenn Gould commented parenthetically in an article in the May 1976 issue of High Fidelity that: “I always felt that I could live without the Chopin concertos and managed to until Alexis Weissenberg dusted the cobwebs from Mme. Sand’s salon and made those works a contemporary experience.” Gould brands Weissenberg's Chopin as a “unique example of the rite of re-creation”, alongside Barbara Streisand's Classical Barbara album. Take from that what you will. In any case, those jaded listeners who cannot bear talk of the warmth of Chopin's limpid beauty will probably enjoy Weissenberg's bracing bucket of ice immensely.
– Tim Perry, MusicWeb International