Move over Valdes's and Rubalcaba's. There's a new royal family of Cuban musicians in the works. Here's a stunning Latin jazz release by Cuban pianist extraordinaire Harold Lopez-Nussa, nephew of acclaimed pianist Ernan Lopez-Nussa. Lopez-Nussa performs material from Jobim, Miguel Matamoros, Pablo Milanes, Santiago Felu, Cesar Portillo, Silvio Rodriguez, Cervantes and others. With Ruy Adrian Lopez-Nussa (a brother), Nestor G. Del Prado Fernandez, Yandy Martinez Gonzalez, guests Ernan Lopez-Nussa, Yaroldy Abreu and many others.
After several years of few recordings, Art Blakey's Jazz Messengers re-emerged with totally new personnel on this Prestige LP. The strongest performance is a quartet feature for the great trumpeter Woody Shaw on "I Can't Get Started," but the other three selections (which include such musicians as George Cables or John Hicks on keyboards, bassist Stanley Clarke and Ramon Morris on reeds) are also worth hearing and sound surprisingly "contemporary" for the time. An interesting set.
Harold Budd's discs tend to end up in the new age section of the record store, because his music is generally pleasant, quiet, and soothing. But where most new age composers go for the obvious (and sometimes saccharine) melody, Budd veers off into ambiguity; he also lacks the mystical bent that often goes along with the new age style. Instead, his compositional voice is more like that of a detached observer – one who creates beauty without getting too involved with it. By the Dawn's Early Light finds Budd writing for various combinations of viola, guitar, harp, and keyboards. All of the music is lovely, but not all of the compositions sound complete. In several cases, they sound like raw ideas rushed into the studio before their time. Guitarist Bill Nelson provides much of the interest throughout the album, and the sighing, slithery viola of Mabel Wong lends an occasional turn-of-the-century salon feel to the proceedings. The only really embarrassing moments occur when Budd – whose voice sounds like an unfortunate cross between Garrison Keillor and Kermit the Frog – reads his own poetry. Skip those tracks and you'll be fine.