This interesting collection finds Chick Corea playing seven then-new originals with a variety of musicians including flutist Hubert Laws, tenor saxophonist Joe Farrell, trumpeter Al Vizzutti, bassist Stanley Clarke and, on "Flamenco," tenor saxophonist Joe Henderson. The music is pleasing and spirited if not all that memorable; an average release from a hugely talented jazzman.
A mixture of Latin and Flamenco with jazz was pianist Chick Corea's strategy for this 2007 Barcelona concert from the Palau de Musica.
The Chick Corea Songbook is a studio album released by The Manhattan Transfer on September 29, 2009. The album features The Manhattan Transfer's interpretations of several Chick Corea compositions, as well as an additional track that was written specifically by Mr. Corea for this album. All About Jazz editor Jerry D'Souza stated regarding this album, "Manhattan Transfer is back, and in top-notch form with a marvelous blend of melody and song."
The contributions of pianist, composer, arranger and bandleader Bill Evans to the language and appreciation of jazz continue to have a profound influence on musicians. Join master pianist Chick Corea as he leads original Evans alumni - bassist Eddie Gomez and the late drummer Paul Motian - on Further Explorations, a two-CD live set of 19 tracks. The spirit of Evans comes alive thanks to the vibrant simpatico shared by these three master musicians.
Three CD box set of Chick Corea’s piano music, reminding us that the distinguished solo piano tradition at ECM started in 1971 with Corea’s spontaneously-recorded volumes of improvisations and jazz tunes (all by Chick save for Monk’s “Trinkle, Tinkle” and Wayne Shorter’s “Masqualero”). The “Children’s Songs”, recorded in 1983, are finely-honed yet playful solo piano miniatures that can be related to the tradition of Bartók’s “Mikrokosmos” and Kurtág’s “Játékok”. Violinist Ida Kavafian and cellist Fred Sherry join Chick for an “Addendum”. Booklet includes liner notes by Chick Corea and Neil Tesser, plus archive photos.
Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists). Fortunately on this 1984 Teldec recording, we have the required two keyboard virtuosos, both of whom come from very divergent musical backgrounds. Austrian-born pianist Friedrich Gulda came from a classical music background and began exploring jazz later on in his life; while Chick Corea is one of the best-known pianists in American jazz music, and, like fellow jazz musicians Wynton Marsalis and Herbie Hancock, developed a great feel for classical music.