Chick Corea Tap Step

Chick Corea - Tap Step (1980) [Repost]  Music

Posted by tiburon at Dec. 8, 2012
Chick Corea - Tap Step (1980) [Repost]

Chick Corea - Tap Step (1980)
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 249MB + 5% Recovery
Genre: Fusion, Latin Jazz

This interesting collection finds Chick Corea playing seven then-new originals with a variety of musicians including flutist Hubert Laws, tenor saxophonist Joe Farrell, trumpeter Al Vizzutti, bassist Stanley Clarke and, on "Flamenco," tenor saxophonist Joe Henderson. The music is pleasing and spirited if not all that memorable; an average release from a hugely talented jazzman.

Chick Corea - Tap Step (1980)  Music

Posted by axess at Nov. 7, 2008
Chick Corea  - Tap Step (1980)

Chick Corea - Tap Step
MP3 | 320 kbps | 95.4 MB | 7 Tracks |
1980 | NO COVERS | JAZZ

Chick Corea - Tap Step  Music

Posted by karfaks at Nov. 22, 2007
Chick Corea - Tap Step

Chick Corea - Tap Step
APE (Cue) | 241 MB | MP3 320 kbps | 98,2 MB | 1980

Chick Corea Elektric Band - Eye Of The Beholder (1988) {GRP}  Music

Posted by tiburon at June 2, 2018
Chick Corea Elektric Band - Eye Of The Beholder (1988) {GRP}

Chick Corea Elektric Band - Eye Of The Beholder (1988) {GRP}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 308MB + 5% Recovery
MP3 CBR 320 Kbps | 132MB + 5% Recovery
Genre: Fusion

During an era when the word "fusion" was applied to any mixture of jazz with pop or funk, Chick Corea's Elektric Band reinforced the word's original meaning: a combination of jazz improvisations with the power, rhythms and sound of rock. Eye of the Beholder, which found guitarist Frank Gambale, saxophonist Eric Marienthal and bassist John Patitucci displaying increasingly original solo voices, is one of this group's finest recordings and ranks with the best fusion of the latter half of the 1980s.
Concertgebouw Orchestra, Nikolaus Harnoncourt - Mozart: Double Concerto; Chick Corea & Friedrich Gulda: Compositions (1995)

Wolfgang Amadeus Mozart - Double Concerto No.10, K. 365
Chick Corea: Fantasy; Friedrich Gulda: Ping Pong (1984/1995)
Concertgebouw Orchestra, conducted by Nikolaus Harnoncourt
Chick Corea, piano; Friedrich Gulda, piano

EAC | FLAC | Image (Cue&Log) ~ 186 Mb | Mp3 (CBR320) ~ 137 Mb | Scans included
Genre: Classical | Label: Teldec | # 2292-42988-2 | Time: 00:47:09

Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists).
Return To Forever feat. Chick Corea - Where Have I Known You Before (1974) & No Mystery (1975) [2CD] [2008, Remastered]

Return To Forever feat. Chick Corea - Where Have I Known You Before (1974) & No Mystery (1975) [2008]
Jazz, Fusion, Jazz-Funk, Jazz-Rock | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 01:24:33 h. | 587,34 Mb
Label: Polydor Records/BGO Records (UK) | Cat.# BGOCD799 | Released: 2008-04-29 (1974/1975)

Jazz pianist Chick Corea established his reputation as a Miles Davis sidesman playing on such iconic albums as 'In A Silent Way' and 'Bitches Brew'. Corea formed Return To Forever with Stanley Clarke, Lenny White and (joining later) Al di Meola to feature on both these recordings. Digitally remastered and slipcased, and with extensive new notes by distinguished author Alyn Shipton.
Chick Corea And Origin - Live At The Blue Note (1998) {2017, Reissue}

Chick Corea And Origin - Live At The Blue Note (1998) {2017, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 383 Mb | MP3 CBR320 ~ 158 Mb
Scans (PNG, 400 dpi) ~ 34 Mb | RAR 5% Recovery
Fusion, Post-Bop, Avant-Garde Jazz, Piano Jazz | MVDaudio #MVD9956A

Recording live at New York's Blue Note club, Chick Corea unveiled another new group, the challenging Origin acoustic sextet, on this CD, winnowing down some 12 sets into an hour-plus package. With Steve Davis (trombone) and Bob Sheppard and Steve Wilson (flutes and reeds) up front, Corea had a flexible horn choir to write for, and he uses mellow, urbane voicings that recall some of the Herbie Hancock Sextet's early work in the late '60s. The interplay that Avishai Cohen (bass), Adam Cruz (drums), and Corea have with the horns, though, is anything but mellow, and frequently they strike combative sparks against each other. Some of the selections, including "Double Image" (no relation to Joe Zawinul's electric jazz classic) and "Dreamless," have Latin-ish grooves – which are no strangers to Corea's Spanish heart – in spots.

Chick Corea Elektric Band - To The Stars (2004) {Stretch}  Music

Posted by tiburon at Feb. 25, 2018
Chick Corea Elektric Band - To The Stars (2004) {Stretch}

Chick Corea Elektric Band - To The Stars (2004) {Stretch}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 400dpi | 467MB + 3% Recovery
MP3 CBR 320 Kbps | 170MB + 5% Recovery
Genre: Fusion

To the Stars is an album by American jazz fusion group the Chick Corea Elektric Band, released on August 24, 2004 by Stretch Records. Jazz musician Chick Corea, a longtime member of the Church of Scientology, was inspired by Scientology founder L. Ron Hubbard's science fiction 1954 novel To the Stars. Hubbard's book tells the story of an interstellar crew which experiences the effects of time dilation due to traveling at near light speed. A few days experienced by the ship's crew could amount to hundreds of years for their friends and family back on Earth.
Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner - (1990) {Atlantic}

Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner - (1990) {Atlantic}
X Lossless Decoder | FLAC tracks | Cue+Log+M3u | Full Scans 300dpi | 287MB + 3% Recovery
MP3 CBR 320 Kbps | 149MB + 5% Recovery
Genre: Jazz, Post-Bop

This odd anthology from Atlantic reissues selections from trio dates recorded during the 1960s by Keith Jarrett, Chick Corea, and Herbie Hancock, along with otherwise unobtainable early recordings by McCoy Tyner. Jarrett is joined by Charlie Haden and Paul Motian on two originals, both of which show the obvious influence of Bill Evans. Chick Corea is accompanied by Steve Swallow (on acoustic bass rather than the electric bass he switched to a short time later) and Joe Chambers. The pianist's "Tones for Joan's Bones" is swinging, but not nearly as driving as his works in the decades to follow, while his reworking of the show tune "This Is New" features Joe Farrell and Woody Shaw; both tracks also show the influence of Bill Evans.
Chick Corea And Béla Fleck - The Enchantment (2007) {Japanese Edition}

Chick Corea And Béla Fleck - The Enchantment (2007) {Japanese Edition}
EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 269 Mb | MP3 CBR320 ~ 164 Mb
Scans Included (JPG, 600 dpi) | RAR 5% Recovery
Fusion, Post-Bop, Avant-Garde Jazz, Piano Jazz | Concord Records #UCCO-1004

Aside from being legendary multiple Grammy-winning jazzmen on very different instruments, Chick Corea (piano) and Béla Fleck (the world's premier jazz banjo master) have a shared love for collaboration and the infinite improvisational possibilities their chosen idiom offers them. In some ways, the two have been preparing for this masterful, musical dialogue-driven masterpiece for over ten years. Fleck, who has always credited Corea as being one of his chief influences, invited the pianist to play on the Flecktones' Tales from the Acoustic Planet, as well as the group's live CD Live Art. Some years later, in 2001, Corea found a spot for Fleck on his Rendezvous in New York DVD. Later, they toured as a duo, making the unique recording of The Enchantment an inevitable artistic extension of their on-stage chemistry.