And this time Trail Records continue with an interesting song collection recorded by bands coming from the Russian Federation exclusively. Some of the tracks were previously unreleased…
The CHICAGO QUADIO collection will be available on June 17. Housed in a rigid two-piece box, nine albums are presented in sleeves that replicate the original release down to the last detail, including mini posters, and the iron-on that came with Chicago VIII. To ensure optimal sound quality, Rhino has remastered each album in both its original quadrophonic and stereo mix on each disc, and so that the quadrophonic mix will play on surround sound systems.
It’s an unexpected trip! As if we were in the time machine… From the first notes, we are in the heart of Chicago, back in the Untouchables’ time, in prohibition era. The Trio Nouveaux Siècles, bringing together Julien Chirol, Michel Feugère and Frédéric Couderc, takes us to the Aragon Ballroom. No excessive jazz orchestra, just three swinging brass instruments, from trombone to saxophone within trumpet, each instrument plays a melodic, harmonic or rhythmic role depending on the circumstances.
Considering that Max Richter's soundtrack work far outpaces the rate at which he releases his own albums, this Deutsche Grammophon collection of four of his earliest works is a welcome reminder of their magic. Retrospective gathers his instant-classic, Franz Kafka-inspired 2004 album The Blue Notebooks, which features the Tilda Swinton collaboration "On the Nature of Daylight" and introduced Richter's expressive mix of classical and electronic music to many listeners; the like-minded Songs from Before, which featured Robert Wyatt reading Haruki Murakami texts over Richter's sensitive, piano-driven compositions; 24 Postcards in Full Colour, an eclectic and emotive collection of ringtone-inspired miniatures; and Infra, a piece composed for the Royal Ballet and inspired in equal measure by T.S. Eliot's The Waste Land and Franz Schubert's Winterreise. The collection also includes bonus tracks for each album, including a full orchestral version of "On the Nature of Daylight" and an essay by Paul Morley. Retrospective offers a wonderful way for fans to experience these albums to their fullest, and for newcomers to learn what all the fuss is about.
Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie Hancock on piano, and Tony Williams on drums – all reaching out to really increase their craft, and work through new ideas alongside Miles' trumpet.
This stalwart independent label, headquartered in San Francisco, began in a small Ann Arbor club and grew into one of the most important imprints in blues. Thirty-three tunes ricochet between the potent old-school Chicago stylings of Buddy Guy and Junior Wells's classic "Hoodoo Man Blues" and Big Walter Horton'ss swinging shuffle "Put the Kettle On" to the intriguing pop-folk hybrid of Roy Rogers and Norton Buffalo and the dashing retro-nuevo guitarisms of Nick Curran & the Niteflies to the brawny Texas-schooled sounds of Omar & the Howlers and Smokin' Joe Kubek & Bnois King. The label's Delta blues side is underrepresented, although James Cotton and Elvin Bishop offer two great flavors of cottonland grind.