Handel's Imeneo, an opera almost contemporaneous with Messiah, has received few performances ever since Messiah librettist Charles Jennens slammed it as "the worst of all Handel's compositions" while still allowing that it contained some good tunes. The work exists in two versions; Handel attempted to rescue the opera that bombed in its London premiere by cutting arias and inserting new material, some of it borrowed from other works. It is this second version, premiered in Dublin, that is recorded here. Conductor Fabio Biondi extols it in his notes, but the earlier version also has its virtues, including a more coherent plotline involving the Greek maiden Rosmene, who has to pick either her true love Tirinto or her rescuer Imeneo (Hymen, the god of love on whose story the libretto is based).
The box contains a perfect overview of VIVARTE’s legendary catalogue of ancient music ranging from Vivaldi to Brahms. Most of the recordings received critical acclaim all over the world, many of them won prestigious awards and many are reference recordings.
‘Morricone 60’ is the first album of Ennio Morricone’s greatest hits conducted, recorded and curated by Morricone himself – and aims to create a legacy for his fans to enjoy. It sees the celebrated Maestro performing some of his greatest film music from The Good, the Bad and the Ugly to his recent Academy Award-winning score for Quentin Tarantino’s The Hateful Eight (released earlier this year on Decca). The album marks Ennio Morricone’s 60th anniversary as a composer and conductor and features brand new recordings with the Czech National Symphony Orchestra, with whom he’s collaborated on major international movie scores.