British cellist Steven Isserlis points out that the four composers represented on this disc have a number of things in common – they were born within 30 years of each other, had nationalist tendencies, and all lived at some point in Paris – but the major unifying theme is the fact that Isserlis commissioned all these arrangements of pieces that had originally existed in other formats. The circumstances of the creation of each of the arrangements are fascinating ……Stephen Eddins @ AllMusic
Dimitry Markevitch (1923 - 2002) was a Russian concert cellist, researcher, teacher and musicologist. He studied under Gregor Piatigorsky and founded the Institut de Hautes Etudes Musicales (IHEM) in Switzerland. His brother, Igor Markevitch, was an orchestral conductor.Markevitch rediscovered several important manuscripts, including Westphal and Kellner transcriptions of several Bach Suites, and published his own edition of the Suites, playing all six in recital at Carnegie Hall in New York in 1964. He was one of the first people to champion "authentic" instrumental techniques and played a baroque cello for pieces composed before the 19th century.
John Holloway and Davitt Moroney have set up a musically rewarding partnership in these brilliantly inventive works, furthermore adding to their programme the two lovely sonatas for violin and continuo long attributed to Bach, and justly so. In both of them they are joined by Susan Sheppard (continuo cello). For these sonatas Moroney has preferred a chamber organ to a harpsichord.
Things are not nearly as bad for the admirer or potential admirer of Stanford’s chamber music as they were a couple of decades ago. The Clarinet Sonata has had a good run for its money on disc and the two violin sonatas have been recorded, but much remained on the shelf. Now we have a three-CD box of the complete music for violin and piano from Alberto Bologni and Christopher Howell.
In September 2013 Anna performed Rachmaninoff 2nd Piano Concerto at the opening of the season of Sunday Morning Concerts series at the Great hall of the Royal Concertgebouw. Within two and a half a years, the recording of this concert received over 9 million views on YouTube and was highly praised among renown musicians. In November 2015 she returned to perform in the big hall of Concertgebouw in Sunday Morning Concerts series Rachmaninoff Piano Concerto No 3, this performance was again steamed live on TV, internet and radio.