British cellist Steven Isserlis points out that the four composers represented on this disc have a number of things in common – they were born within 30 years of each other, had nationalist tendencies, and all lived at some point in Paris – but the major unifying theme is the fact that Isserlis commissioned all these arrangements of pieces that had originally existed in other formats. The circumstances of the creation of each of the arrangements are fascinating ……Stephen Eddins @ AllMusic
John Holloway and Davitt Moroney have set up a musically rewarding partnership in these brilliantly inventive works, furthermore adding to their programme the two lovely sonatas for violin and continuo long attributed to Bach, and justly so. In both of them they are joined by Susan Sheppard (continuo cello). For these sonatas Moroney has preferred a chamber organ to a harpsichord.
Dimitry Markevitch (1923 - 2002) was a Russian concert cellist, researcher, teacher and musicologist. He studied under Gregor Piatigorsky and founded the Institut de Hautes Etudes Musicales (IHEM) in Switzerland. His brother, Igor Markevitch, was an orchestral conductor.Markevitch rediscovered several important manuscripts, including Westphal and Kellner transcriptions of several Bach Suites, and published his own edition of the Suites, playing all six in recital at Carnegie Hall in New York in 1964. He was one of the first people to champion "authentic" instrumental techniques and played a baroque cello for pieces composed before the 19th century.
Mendelssohn's complete works for cello and piano fit on a single CD with room to spare, and your collection should have room to spare for the terrific performances contained on this disc. Cellist Elizabeth Dolin and pianist Bernadene Blaha emphasize the composer's classicism and elegance, in contrast to the somewhat wilder spin with which cellist Mark Shuman and pianist Todd Crow suffuse these works. But whereas the latter ASV release is resonant to a fault, Analekta's engineering conveys a more intimate and equally warm ambience that falls kindly on the ears. Dolin and Blaha are never less than equal partners, which is important considering that Mendelssohn treats both instruments as such. (Classics Today 10/10)