The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.
This 18-track compilation of previously released versions of Rolling Stones' nuggets is a little longer than earlier attempts at the same concept such as 1998's Cover You: A Tribute to the Rolling Stones (with which it shares four tunes) and 2005's skimpy 11-cut Wild Horses: A Rock and Roll Tribute to the Rolling Stones (only one duplicate from that), but it's not markedly better…
Chick Corea's Elektric Band II found bassist John Patitucci, drummer Dave Weckl and guitarist Frank Gambale going out on their own and being replaced by Jimmy Earl, Gary Novak and Mike Miller. Saxophonist Eric Marienthal was the only sideman from the first Elektric Band to stick with Corea. Although the new members are not as distinctive as their predecessors, the high-quality material played on this release (which includes Jimmy Heath's "CTA," "Blue Miles" and a variety of Corea originals) is very jazz-oriented and occasionally there are straightahead sections. This set is recommended even to listeners who have not yet acquired a taste for fusion.
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai…
Paint My Love – Greatest Hits is the first greatest hits album by the Danish soft rock band Michael Learns to Rock. It was released in October 1996 by Medley Records in Asia and South Africa. As of May 1999, the album had sold 3.4 million copies worldwide. The title song, "Paint My Love", is an English version of "Kun med dig" by Danish singers Dorthe Andersen and Martin Loft, which was composed by Jascha Richter. The song won the Danish national selection for the Eurovision Song Contest 1996, but was one of seven entries voted off in a pre-contest semifinal, which was not televised. "Paint My Love", along with the other new song "Breaking My Heart", was later included on the band's fourth studio album, Nothing to Lose (1997).
"Making Music" is the fourth studio album by American R&B singer Bill Withers. It was also released in the UK as Making Friends. "Making Music" was released in 1975 and is Withers' first album on Columbia Records due to Sussex Records folding in July 1975. The album charted at number seven on the R&B album charts. The album was released in the UK by CBS under the title of 'Making Friends' also in 1975.
Released in the fall of 1989, To Kingdom Come is a double-disc set that purports to be "The Definitive Collection" and, in a sense, it does provide a good overview of the band's career. Over the course of 31 songs, the collection works its way through the hits and album tracks, adding such rarities as "Get Up Jake," "Back to Memphis," and "Lovin' You Is Sweeter Than Ever," even if it never touches on The Basement Tapes. All the predictable items are here and the album tracks are well-chosen, and it is a good representation of the band, worth the time of listeners who want a smartly assembled anthology. The 2000 Greatest Hits gets the edge for casual fans, since it has 20 tracks on one disc, yet this remains worthwhile for listeners who want a fairly comprehensive, thorough anthology.