Castrati

Sacrificium: The Music of the Castrati (Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini) (Re-Up)

Sacrificium: The Music of the Castrati (Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini) - DVD5
Italiano | NTSC 16:9 (720x480) | LPCM Stereo; DTS, 5.1 | 60 min | 3.93 GB
Recorded at Palace of Caserta in 2009 | Released: 2010 | Label: DECCA | Sub: English, Francais, Deutsch, Italiano, Espanol

A beautiful scenic film by Olivier Simonnet. Filmed in high-definition widescreen. Cecilia Bartoli sings virtuoso arias from her Sacrificium album, on location in and around the spectacular baroque palace of Caserta in Southern Italy, just outside of Naples. This unique film shows Cecilia Bartoli in full costume singing a selection of showpiece arias written for the castrato stars of the Neapolitan school. Ravishing locations including the Court Theatre, the stunning Vestibule and the Palace Gardens. Arias include Handel's "Ombra mai fu" and Broschi's "Son qual nave"–previously only available in the deluxe version of the album. The film also showcases the leading Italian period ensemble Il Giardino Armonico under their director Giovanni Antonini. Special bonus features include an illustrated interview in which Cecilia Bartoli talks about the Sacrificium project, and a visual guide to the Palace, town and region of Caserta. (amazon.com)
Sopranos y Castrati en el Londres de Farinelli - "Caro dardo" (La Tempestad)

Sopranos y Castrati en el Londres de Farinelli: Scarlatti D., Porpora, Roseingrave, Veracini, Arne, Hasse, Handel - "Caro dardo" (La Tempestad)
Baroque | 1 CD | EAC | FLAC+CUE+LOG | Scans | TT 57’57 | 315.48 MB
La Tempestad, Xavier Sabata, Olalla Alemán
Released: 2007 | Label: Címbalo Producciones, S.L.
Farinelli, Il Castrato: Original Motion Picture Soundtrack (1994)

Farinelli, Il Castrato: Bande Originale Du Film (1994)
Ewa Mallas-Godlewska (soprano) & Derek Lee Ragin (countertenor)
Les Talens Lyriques, conducted by Christophe Rousset

EAC | FLAC | Tracks (Cue&Log) ~ 268 Mb (incl 5%) | Mp3 (CBR320) ~ 146 Mb (incl 5%) | Scans ~ 81 Mb
Soundtrack, Score, Classical, Vocal | Label: Auvidis Travelling | # K 1005 | 01:00:42

Soundtrack to the film 'Farinelli', the 1994 biopic film about the life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time. It stars Stefano Dionisi as Farinelli and was directed by Belgian director Gérard Corbiau. Although Dionisi provided the speaking voice, Farinelli's singing voice was provided by a soprano, Ewa Malas-Godlewska and a countertenor, Derek Lee Ragin, who were recorded separately then digitally merged to recreate the sound of a castrato. Through the film the general public discovered a whole repertoire of works for a voice that can no longer be heard today. The soundtrack from the film became a bestseller, as we discovered with delight some beautiful pieces by Handel, Pergolesi, Hasse, Porpora and others, in a unique interpretation.
Tim Hecker - Love Streams (2016) [Official Digital Download 24/96]

Tim Hecker - Love Streams (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 42:55 minutes | 884 MB
Studio Master, Official Digital Download | Artwork: Front cover

Tim Hecker has revealed details of his latest album, and first record for 4AD. The Canadian composer will release Love Streams on April 8, 2016. Love Streams takes its cues from the avant-classical orchestration and extreme electronic processing of his previous full-length, 2013’s Virgins, but shaped into more melancholic, ultraviolet hues. Inspired by notions of 15th century choral scores (particularly those by Josquin des Prez), transposed to an artificial intelligence-era language of digital resonance and bright synths, the album was assembled gradually, with layers of studio-tracked keyboards, choir and woodwinds being woven into the mix, then molded and disfigured through complex programming. Like hearing some ancient strain of sacred music corrupted by encryption, Hecker admits to thinking about ideas like “liturgical aesthestics after Yeezus” and the “transcendental voice in the age of auto-tune”, during its creation.

Christoph Willibald Gluck - Orfeo Ed Euridice (1982)  Music

Posted by frangarbla at Oct. 23, 2009
Christoph Willibald Gluck - Orfeo Ed Euridice (1982)

Christoph Willibald Gluck - Orfeo Ed Euridiceo
DbPowerAMP, FLAC (tracks, no cue) + MP3 (320@ CBR) | 560.04 Mb (FLAC) + 304.27 Mb (MP3) | 127 minutes | Full artwork and covers.
classical, opera | Erato Records, Recorded at Glyndebourne, Great Britain on June, 1982.

Orfeo ed Euridice (French version: Orphée et Eurydice; English translation: Orpheus and Eurydice; Spanish Translation: Orfeo y Eurídice) is an opera composed by Christoph Willibald Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing...

Handel - Il Pastor Fido (Nicholas McGegan) [1994]  Music

Posted by Vilboa at Feb. 24, 2017
Handel - Il Pastor Fido (Nicholas McGegan) [1994]

Handel - Il Pastor Fido (Nicholas McGegan) [1994]
Classical | Hungaroton 12912-13 | TT: 75.20+71.43 | EAC (FLAC, cue, log) | Covers | 684 Mb

L'opera fu composta nel 1712 e andò in scena per la prima volta il 22 novembre dello stesso anno, sotto la direzione del compositore stesso, al Her Majesty's Theatre di Londra. L'accoglienza fu generalmente negativa, probabilmente a causa delle elevate aspettative che il pubblico nutriva in seguito al successo dell'opera Rinaldo. Un commentatore riporta che "la scenografia rappresentava unicamente l'Arcadia, i costumi erano vecchi e l'opera breve". I ruoli di Mirtillo e Silvio furono interpretati dai castrati Valeriano Pellegrini e Valentino Urbani. L'ouverture è in sei movimenti appare eccessivamente ampia per quei tempi: è verosimile pensare che fosse stata scritta come una suite orchestrale distinta dall'opera.

Rita Monaldi, Francesco Sorti - Mysterium  eBooks & eLearning

Posted by SSCN1926 at Dec. 9, 2016
Rita Monaldi, Francesco Sorti - Mysterium

Rita Monaldi, Francesco Sorti - Mysterium
Italian | Baldini&Castoldi | 2016 | EPUB | Pages 729 | ASIN: B01M68GSZ1 | 11.9 Mb

Jan Tomasz Adamus - Pergolesi: Adriano in Siria (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 7, 2016
Jan Tomasz Adamus - Pergolesi: Adriano in Siria (2016) [TR24][OF]

Fleetwood Mac - Mirage (Deluxe Edition)
Classical | FLAC (tracks) 24-bit/96 kHz | 177:25 min | 3.41 GB | Digital booklet
Label: Decca | Tracks: 60 | Rls.date: 2016

New love, position, power, revenge, disguise, mistaken identity, complications and passionate devotion the full spectrum of baroque opera seria is here in this brilliant, vivid setting of a powerful and moving story.

Jan Tomasz Adamus - Pergolesi - Adriano In Siria: Box Set 3CDs (2016)  Music

Posted by Discograf_man at Dec. 4, 2016
Jan Tomasz Adamus - Pergolesi - Adriano In Siria: Box Set 3CDs (2016)

Jan Tomasz Adamus - Pergolesi - Adriano In Siria: Box Set 3CDs (2016)
Classical, Opera | MP3 CBR 320 kbps | 444 Mb | Scans 5,27 Mb
Label: Decca (UMO) Classics | Release Year: 2016

New love, position, power, revenge, disguise, mistaken identity, complications and passionate devotion the full spectrum of baroque opera seria is here in this brilliant, vivid setting of a powerful and moving story.
Pergolesi - a musical genius cut off in his prime. Famed for his Stabat Mater, even though he died aged just 26 he had already completed four opera seria; Adriano in Siria is the third of these. Composing for only around a decade before he succumbed to tuberculosis aged 26, Giovanni Battista Pergolesi was so well known for his music that the instant that his death was known, all Italy manifested an eager desire to hear and possess his productions …

Franco Fagioli and George Petrou - Rossini (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Nov. 20, 2016
Franco Fagioli and George Petrou - Rossini (2016) [TR24][OF]

Franco Fagioli and George Petrou - Rossini
Classical | FLAC (tracks) 24-bit/96 kHz | 75:13 min | 1.40 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 17 | Rls.date: 2016

Curiously, Rossini has composed two roles for a castrato: to Alceo in the cantata Il vero omaggio, and that of Arsaces in Aureliano in Palmira, both for Giambattista Velluti, the last castrato internationally renowned opera . Against the Argentine tenor Franco Fagioli has deliberately given up these roles to this album Rossini, preferring to focus on transvestites roles that address sexual ambiguity from another angle. In operas "serious" by Rossini, rarely given today, there are many male characters whose roles were written for singers.