is a 1974 album by American singer-songwriter . The album hit #1 on the Billboard albums chart in late 1974 and spun off successful singles with (#2 Pop) and (#9 Pop, #1 Adult Contemporary). The album was certified Gold by the RIAA.
As a singer, Carol King won over millions of fans with her honest portrayals of love and life. As a songwriter, she penned dozens of hits for others, many which became American pop standards. Now for the first time, these two aspects of a long and celebrated career are combined , telling the complete story of an extraordinarily gifted and successful artists, who is still actively performing to this day, more than four decades later. Disc one features the best of Carole King including collaborations with Celine Dion and Babyface. Disc two features songs penned by King but performed and made hits by other artists.
Tapestry Revisited: A Tribute to Carole King is a 1995 tribute album honoring American singer, songwriter, and pianist Carole King. It features a diverse lineup of artists including Richard Marx, Aretha Franklin, Rod Stewart, Celine Dion, The Bee Gees and Amy Grant. The idea of this release was to re-create King's 1971 album Tapestry track-for-track using other artists. The album peaked at number 53 on the Billboard 200 and was certified Gold in the United States.
Carole King and James Taylor reuniting isn’t quite a monumental reunion – they never were an official performing entity, so they never had a falling out, appearing on-stage and on record from time to time since their ‘70s heyday – but it is a notable one, particularly when they choose to perform at the Troubadour, the L.A. venue so crucial at the start of their stardom, backed by such fellow veterans of the SoCal singer/songwriter scene as guitarist Danny Kortchmar, bassist Leland Sklar, and drummer Russell Kunkel, musicians who supported them the last time they co-headlined the club back in 1971…
Elisabeth Jacquet (Couperin’s senior by three years) was a remarkable girl. A member of a family of musicians, at the age of only five she attracted the benevolent attention of Louis XIV by her harpsichord playing, and subsequently was taken under the wing of his favourite, Mme de Montespan. At 18 she married the organist Marin de la Guerre and became famous for the concerts she gave at her home, in which her powers of improvisation were greatly admired. She wrote trio sonatas, an opera (the first one by a woman to be produced in France), violin sonatas that include double-stopping, and two books of Cantates francaises on Old Testament subjects.
Tapestry is the second album by American singer-songwriter Carole King, released in 1971 on Ode Records and produced by Lou Adler. It is one of the best-selling albums of all time, with over 25 million copies sold worldwide. In the United States, it has been certified Diamond with more than 10 million copies sold. It received four Grammy Awards in 1972, including Album of the Year. The lead single from the album — "It's Too Late"/"I Feel the Earth Move" — spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts. In 2003, Tapestry was ranked number 36 on Rolling Stone list of the 500 greatest albums of all time.
With her marriage on the rocks and looking for a fresh start, Carole King moved to Los Angeles in 1967. More specifically, Laurel Canyon, where she fell in with the nascent singer/songwriter crowd. She and bassist/boyfriend Charles Larkey (formerly of the Myddle Class, a band she and then-husband Gerry Goffin had signed to their record label) soon formed a band, adding old friend from NYC, guitarist Danny Kortchmar. The trio spent time at King's house working on a batch of songs she had written with Goffin (some previously released by other acts, some not), plus some co-written by another member of Myddle Class, Don Palmer, and fellow Brill Building refugee Toni Stern. Thanks to their industry connections it wasn't long before they had a record deal. Adding drummer Jim Gordon and naming themselves the City, they hit the studio with Lou Adler producing. The outcome of the sessions was the thoroughly charming Now That Everything's Been Said LP. Released in 1968 on Ode Records, the album had one foot in the kind of radio pop bands like the Monkees and the Mamas & the Papas were cranking out and another in the earthy, homegrown realm of singer/songwriters like Joni Mitchell and, a few years later, King herself.