Cannonball Adderley 74

Cannonball Adderley - 74 Miles Away / Walk Tall (1967) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]

The Cannonball Adderley Quintet - 74 Miles Away / Walk Tall (1967) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 227 Mb | MP3 @320 -> 83 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar | 24-bit remaster
© 1967, 2011 Capitol / EMI Music Japan | TOCJ-50153 | Jazz Masterpiece Best & More 999 Series
Jazz / Hard Bop / Soul Jazz / Saxophone

With the hit "Mercy Mercy Mercy" still reverberating on the sales charts, Capitol simply had the Quintet crank out one live club date after another at this point, hoping for another smash. They never really got one, but Cannonball and Nat Adderley, in league with pianist Joe Zawinul, bassist Victor Gaskin and drummer Roy McCurdy, left a strong legacy like this vigorous live Hollywood gig. One of Nat's best gospel-styled hip-shakers, "Do Do Do," opens the record, and Joe Zawinul comes up with another bluesy, catchy self-help tune in the vein of "Mercy" called "Walk Tall," prefaced by another of Cannonball's wryly inspirational talks.
The Cannonball Adderley Quintet - 74 Miles Away/Walk Tall (1967) [Remastered 2011]

The Cannonball Adderley Quintet - 74 Miles Away/Walk Tall (1967) [Remastered 2011]
EAC rip | FLAC + CUE + LOG | Full Scans | 220 Mb (Incl. Recovery)
Genre ~ Hard Bop, Soul Jazz | Label ~ EMI Music Japan
Cannonball Adderley Quintet - Country Preacher (1969) {1994 Capitol Jazz}

Cannonball Adderley Quintet - Country Preacher (1969) {1994 Capitol Jazz}
EAC Rip | FLAC with CUE and log | scans | 234 mb
MP3 CBR 320kbps | RAR | 92 mb
Genre: jazz

Country Preacher is the 1969 live album by American jazz saxophonist Cannonball Adderley and his quintet. Originally released by Capitol Records, this was released by Capitol Jazz on 1 November, 1994.
Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}

Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 341 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 600 dpi (png) -> 531 Mb | 5% repair rar | 24bit remastering
© 1961, 2011 Riverside / Concord | 0888072326910
Jazz / Hard Bop / Saxophone / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Nat Adderley & Cannonball Adderley - Soul Zodiac (1972) {Stateside-EMI 50999 2 08515 2 1 rel 2008}

Nat Adderley & Cannonball Adderley - Soul Zodiac (1972) {Stateside-EMI 50999 2 08515 2 1 rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 420 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (jpg) -> 34 Mb | 5% repair rar
© 1972, 2008 Stateside / EMI Records | 50999 2 08515 2 1
Jazz / Hard Bop / Soul Jazz / Jazz Funk / Cornet / Saxophone

A few seconds of spacy echo loops and you know where this album is coming from – the early jazz/rock era, the Age of Aquarius and all that. Yet this crazy amalgam of jazz, rock, electronics, and spoken astrological advice by the popular Los Angeles DJ Rick Holmes actually works, for the music behind the soulfully intoned words is very inventive and Holmes plays effectively off its rhythms.
Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {1987, Reissue, Remastered} Re-post / New Rip

Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {1987, Reissue, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 298 Mb | MP3 CBR320 ~ 129 Mb
Scans (PNG, 300 dpi) ~ 55 Mb | RAR 5% Recovery
Jazz, Hard Bop | Riverside Records #RLP-9433 / Original Jazz Classics #OJCCD-105-2

Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of this impression. Adderley is undeniably a successful, widely-acclaimed artist, and it may seem to some that his success came quickly. But it is more in the nature of what one night-club comic once referred to bitterly as "my overnight success after fifteen years." To recap briefly, Cannonball came up to New York in the mid-'5Os with a thorough background as a player…
Cannonball Adderley - Phenix (1975) {Fantasy FCD-79004-2 rel 1999}

Cannonball Adderley - Phenix (1975) {Fantasy FCD-79004-2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 465 Mb | MP3 @320 -> 172 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1975, 1999 Fantasy | FCD-79004-2
Jazz / Soul Jazz / Jazz Funk / Hard Bop / Fusion / Saxophone

Adderley's next-to-last recording (cut just four months before he died of a stroke at age 46) was ironically a retrospective of his career. While his then-current group (with cornetist Nat Adderley, keyboardist Mike Wolff, bassist Walter Booker, and drummer Roy McCurdy) was featured on half of this two-LP set (highlighted by "Stars Fell on Alabama," "74 Miles Away," and a medley of "Walk Tall" and "Mercy, Mercy, Mercy"), on the remainder of this two-fer the Adderleys welcome back several alumni (keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes) for new versions of "High Fly," "Work Song," "Sack O'Woe," "Jive Samba," "This Here," and "The Sidewalks of New York." A recommended set with plenty of excellent music, it serves as a fine overview of Cannonball Adderley's career.
Cannonball Adderley - Accent On Africa (1968) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]

Cannonball Adderley - Accent On Africa (1968) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 219 Mb | MP3 @320 -> 75 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar | 24-bit remaster
© 1968, 2011 Capitol / EMI Music Japan | TOCJ-50202 | Jazz Masterpiece Best & More 999 Series
Jazz / Hard Bop / Soul Jazz / Saxophone

Though labeled as a Cannonball Adderley Quintet session, this is actually a workout with a percussion section loaded with African drums, a big band, and in spots, voices – all unidentified. Nevertheless, this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context. Cannonball turns in one of his swinging-est solos through a Varitone electronic attachment on Caiphus Semenya's "Gumba Gumba" and "Marabi" is a real hip-jiggler; you can't sit still through it. Other highlights include Cannon preaching blue smoke in his own Afro-Cuban-blues-flavored "Hamba Nami," a dignified trip through Wes Montgomery's "Up and At It," and Nat Adderley's commanding work on cornet at all times.
Cannonball Adderley - Cannonball Plays Zawinul (2004) {Capitol Jazz rec 1961-71}

Cannonball Adderley - Cannonball Plays Zawinul (2004) {Capitol Jazz rec 1961-71}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 417 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 600 dpi (png) -> 154 Mb | 5% repair rar
© 2004 Capitol Jazz / Blue Note | 7243 5 97070 2 0 | 24-bit remaster
Jazz / Hard Bop / Fusion / Soul Jazz / Saxophone

Compiled by pianist Joe Zawinul, this Capitol collection features 10 songs composed by Zawinul himself and performed by the Cannonball Adderley Quintet. Both one-time members of Miles Davis's groups, Adderley and Zawinul began their association in the early 1960s when Zawinul joined the sax man's ensemble. In addition to writing some of Adderley's most memorable and popular material, Zawinul proved instrumental in pushing the quintet toward a more soulful, commercially viable sound.
Cannonball Adderley - Cannonball Enroute (1958) {2013 Japan Jazz The Best Series 24-bit Remaster}

Cannonball Adderley - Cannonball Enroute (1958) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 196 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 124 Mb | 5% repair rar | 24-bit remaster
© 2013 Mercury / Verve / Universal Japan | UCCU-9961
Jazz / Hard Bop / Soul Jazz / Saxophone

Cannonball Enroute is the sixth album by the jazz saxophonist Cannonball Adderley, and his first released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom".