Progressive rock bands like Camel have to be creative in their touring schedules, often traveling to Europe in order to find a substantial concentration of fans in a single place. So it was that Camel arrived with their 20th anniversary tour at Enschede, Holland. After their tenth anniversary tour (which found them promoting The Single Factor), few would have predicted a 20th, but the release of Dust and Dreams in 1991 suggested the band had found a second creative wind (or at least tapped into the original breeze last felt on Nude). Never Let Go confirms the point that Camel has plenty of life left in it…
A Live Record is the first live album by the progressive rock band Camel, released in 1978. It is a double LP, composed of recordings from three different tours. LP one features recordings from the Mirage tour in 1974, and the Rain Dances tour, in 1977. Tracks 1–4 on the LP are from the Rain Dances tour, and 5–6 are from the Mirage tour. LP 2 features the original line-up all the way, and is devoted to a complete performance of the band's instrumental concept album, The Snow Goose, during the tour for the album in 1975, performed with the London Symphony Orchestra.
Features the high-fidelity SHM-CD format (compatible with standard CD player). Cover artwork faithfully replicates original one. Comes with lyrics and a description. Camel was still finding its signature sound on its eponymous debut album. At this point, Peter Bardens and his grand, sweeping organ dominate the group's sound and Andrew Latimer sounds tentative on occasion.
A new, larger version of Camel debuted on Nude, a concept album about a Japanese soldier stranded on a deserted island during World War II and staying there, oblivious to the outside world, for 29 years. More ambitious than the preceding I Can See Your House from Here, Nude is in many ways just as impressive. Although it's a less accessible effort, it has a number of quite intriguing passages, particularly since it boasts heavier improvisation, orchestration, and even some worldbeat influences. It's not as spacy as Camel's earlier progressive rock records, yet it is quite atmospheric, creating its own entrancing world.
Harbour of Tears is a studio concept album by English progressive rock band Camel. It tells the story of an Irish family who are painfully separated as their young ones depart to the United States to seek a better future. Released in 1996, it was their twelfth studio album. Band vocalist and guitarist Andrew Latimer learned that the last sight of Ireland his grandmother's family would have seen was Cóbh Harbour, a deep water port that witnessed the fracturing of thousands of families as their sons and daughters departed towards America. Thus the album was titled as the common alias of the port, 'Harbour of Tears'.
Rajaz is the thirteenth studio album by Camel, released in 1999. The album's songs have been composed on the camel's walking metre and is considered by many fans to be a return to the band's musical roots of the 1970s.
With Rain Dances, Camel began exploring shorter, more concise songs, but it wasn't until its follow-up, Breathless, that they truly made a stab at writing pop songs. Although they didn't completely abandon improvisational prog rock – there are several fine, jazzy interludes – most of the record is comprised of shorter songs designed for radio play. While the group didn't quite achieve that goal, Breathless is nevertheless a more accessible record than Camel's other albums, which tend to focus on instrumentals. Here, they try to be a straightforward prog rock band, and while the results are occasionally a little muddled, it is on the whole surprisingly successful.
Coming of Age is a live album by progressive rock band Camel released 1998. Two hours of live recordings at Billboard Live in Hollywoodduring their 1997 West Coast tour. 28 tracks total, including 'Lunar Sea', 'Sasquatch', 'Milk 'N Honey' and 'TheHour Candle'.