Callas Studio

Maria Callas - Mad Scenes from Anna Bolena, Hamlet & Il Pirata (1959/2014) [Official Digital Download 24/96] RE-UP

Maria Callas - Mad Scenes from Anna Bolena, Hamlet & Il Pirata (1959) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 47:30 minutes | 993 MB
Studio Master, Official Digital Download | Artwork: Digital booklets

Callas did not make complete recordings of Donizetti's Anna Bolena and Bellini's Il pirata, though, as the queen of La Scala, she enjoyed triumphs in both roles in 1957-1958. The vocally and dramatically demanding final scenes of both operas feature in this recital with Ophélie's mad scene from Ambroise Thomas's Hamlet, another coloratura extravaganza. When this recital first appeared in 1959, Gramophone wrote: 'This is a most remarkable record, not only for its material… but for its astonishing vividness and dramatic poetry… It has been a thing of much wonder for me'.
Maria Callas - Maria Callas Live: Remastered Recordings 1949-1964 (2017) [Official Digital Download]

Maria Callas - Maria Callas Live: Remastered Recordings 1949-1964 (2017)
FLAC (tracks) 24-bit/44.1 kHz | Time - 44:02:48 | 20.7 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Marking the 40th anniversary of Maria Callas’ death (16th September 1977), Maria Callas Live captures the legendary soprano in action on the stages of the world’s great opera houses and concert halls. Thanks to new audio remastering from the best available sources, this 45-disc set reveals Callas’ compelling genius as a singing actress with a new truthfulness and immediacy. Containing 20 complete operas – including 12 works she never recorded in the studio – and five complete filmed recitals (with two different stagings of Act 2 of Tosca) on Blu-ray, Maria Callas Live is the indispensable complement to Callas Remastered, Warner Classics’ landmark collection of her studio recordings.
Maria Callas - Live: Remastered Recordings 1949-1964 (2017) (42 CD Box Set)

Maria Callas - Live: Remastered Recordings 1949-1964 (2017) (42 CD Box Set)
MP3 320 kbps | 42CDs, 06:56:13 min | 5,94 Gb | Covers & booklet -> 9,27 mb
Genre: Classical, Opera / Label: Parlophone

Marking the 40th anniversary of Maria Callas’ death (16th September 1977), Maria Callas Live captures the legendary soprano in action on the stages of the world’s great opera houses and concert halls. Thanks to new audio remastering from the best available sources, this set reveals Callas’ compelling genius as a singing actress with a new truthfulness and immediacy. Containing 20 complete operas – including 12 works she never recorded in the studio – and five complete filmed recitals (with two different stagings of Act 2 of Tosca) on Blu-ray, Maria Callas Live is the indispensable complement to Callas Remastered, Warner Classics’ landmark collection of her studio recordings.
Maria Callas - Maria Callas Live: Remastered Recordings 1949-1964 (2017)

Maria Callas - Maria Callas Live: Remastered Recordings 1949-1964
Classical, Opera | WEB FLAC (tracks) & d. booklet | 44:02:48 | 8.73 GB
Label: Warner Classics | Tracks: 815 | Rls.date: 2017

Marking the 40th anniversary of Maria Callas’ death (16th September 1977), Maria Callas Live captures the legendary soprano in action on the stages of the world’s great opera houses and concert halls. Thanks to new audio remastering from the best available sources, this 45-disc set reveals Callas’ compelling genius as a singing actress with a new truthfulness and immediacy.

Maria Callas - 100 Best Classics (2006)  Music

Posted by delpotro at March 11, 2018
Maria Callas - 100 Best Classics (2006)

Maria Callas - 100 Best Classics (2006)
EAC Rip | FLAC (tracks+log+.cue) | 07:46:11 | 1,59 Gb
Classical, Vocal, Opera | Label: EMI Classics

EMI's generous compilation of 100 tracks from its archive of recordings by Maria Callas makes a fine introduction to her legacy. Callas' voice isn't consistent throughout, but when she's at her best, it's easy to hear the musical and dramatic power that made her the most legendary opera singer of the 20th century. She is impressive often enough that it's not hard to forgive the performances that are less than stellar. The six-disc collection is intelligently organized, with each disc dedicated to a particular composer (or several composers) or a theme: Bellini; Donizetti and Rossini; Verdi; Puccini; French operatic heroines; and dramatic heroines.
Maria Callas ‎- The Complete Studio Recordings, 1949-1969 (2007) (70 CD Box Set)

Maria Callas ‎- The Complete Studio Recordings, 1949-1969 (2007) (70 CD Box Set)
EAC Rip | FLAC (Tracks+.cue, log) | 70 CDs, 101:42:24 min | 12,7 Gb | Booklets *pdf 6,75 mb
Genre: Classical, Opera, Romantic / Label: EMI

This unique 70CD box set includes all the studio recordings Maria Callas ever made. It contains 26 complete operas, four of which are studio repeats, plus the complete studio recitals made during her recording career, from 1949 to 1969.
Maria Callas - Ponchielli: La Gioconda (1960/2014) [Official Digital Download 24/96]

Maria Callas - Ponchielli: La Gioconda (1960) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 166:31 minutes | 3,43 GB
Studio Master, Official Digital Download | Artwork: Digital booklets

Callas's second studio recording of La Gioconda was made in 1959, six years after her last stage performances of the role, which in 1947 has been the vehicle for her Italian debut (at the Arena di Verona).The recording came at a turning point in Callas's life - when her relationship with Aristotle Onassis led to her separation from her husband, Giovanni Battista Meneghini. Writing in Gramophone in 1960, Philip Hope-Wallace said: 'I simply cannot imagine anyone getting more out of the role than she does this time…the total effect is riveting.' Joining Callas were two young Italian singers destined for great careers: the mezzo-soprano Fiorenza Cossotto as her rival, Laura, and, as the sinister Barnaba, baritone Piero Cappuccilli.
Maria Callas - Verdi: Un Ballo in Maschera (1957/2014) [Official Digital Download 24/96]

Maria Callas - Verdi: Un Ballo in Maschera (1957) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 131:22 minutes | 1,36 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Callas’s first stage appearances in Verdi’s Un ballo in maschera came at La Scala in 1957, a year in which Milan also saw her in La sonnambula and Anna Bolena. As in this recording, made the year before, she shared Verdi’s most spectacular soprano-tenor duet (in Act II) with Giuseppe di Stefano. This was the last time Callas and Di Stefano appeared together in opera, though they reunited in the 1970s to direct I vespri siciliani in Turin and to give a series of joint concerts in Europe, the USA, Canada,South Korea and Japan. Gramophone judged this recording of Ballo to be ‘one of Callas’s most compelling assumptions’.
Maria Callas - Verdi: La Traviata (1954/2014) [Official Digital Download 24/96]

Maria Callas - Verdi: La Traviata (1954) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 160:26 minutes | 1,65 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Violetta, the most complex and fully-rounded of Verdi's heroines, was one of the roles that defined Maria Callas as an artist. She performed it more than 60 times between 1951 and 1958, most famously in Luchino Visconti's production at La Scala in 1955/56. It is often said that the role demands a different kind of voice for each act, and, when she made this recording for the Cetra label in 1953, Callas offered youthful, ringing power complemented by coloratura prowess and the capacity for great delicacy. More than 60 years on, her characterisation, in its subtlety and truth, still sets the standard for La traviata.
Maria Callas - Ponchielli: La Gioconda (1953/2014) [Official Digital Download 24/96]

Maria Callas - Ponchielli: La Gioconda (1953) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 160:26 minutes | 1,75 GB
Studio Master, Official Digital Download | Artwork: Digital booklets

It was as Ponchielli's long-suffering ballad singer, La Gioconda, that Callas made her Italian debut, in 1947 at the Arena di Verona, and it proved crucial to her career. Five years later, La Gioconda became her first studio recording of a complete opera. It showcases both the dark-hued splendour of her voice at this period - she was still in her twenties - and her inimitable intensity and insight.