Filmmaker Miguel Kohan offers an affectionate tribute to the grand old men and women of tango in this documentary tracing the career of the exceptional musicians from the 1940s through the new millennium. While some outsiders see tango as simply a dance, to many Argentineans it is literally a way of life - especially the citizens of such cities as Buenos Aires, Montevideo, and Rosario. Within these cities dwell some of the very same people who drive tango to popularity back in the 1940s and 50s, some of them still performing the same dances that they did during the golden age of tango.
Like most Spanish maestros de capilla, Puebla, Mexico, Padilla composed a great number of chanzonetas or villancicos. These charming and melodious works encompass exquisite charm and refined elegance to unabashed humour; they are frequently framed with dance rhythms, often in a characteristic uneven triple time with abundant syncopation. All the words in this gender have melodic instrumental lines and accompaniments with great variety of possibilites: from a solo voice to a full choir.
The instruments were characteristic of Renaissence music: recorders, dulzian, shawms, cornets, voils, organ, crumhorns, etc. In Mexico, villancicos achieved such popularity that they were published even when paper was very scarce, and important works such as some writings of Sor Juana Inés de la Cruz could not be printed.
In the middle of the 1990s the album Black Coffee was produced, an enigma in Kaas' career. In 1995 it was decided to produce a work specially for the American market containing exclusively English lyrics. Rumours state that the album was never officially sold. It occasionally becomes available in online auctions, however, but the authenticity of these records is in doubt.
Composer Claude-Bénigne Balbastre came at the end of the French Baroque keyboard tradition that produced François Couperin and Jean-Philippe Rameau. Composed in 1759, these pieces look back toward the tradition of French harpsichord music, with its individual piece titles designating various members of the French nobility and their individual personalities. Thirty years after Couperin announced the reunification of French and Italian tastes, they show only light influence of Italian style; the clearly diatonic, periodic Allegro tune of "La Laporte," track 16, is the exception. Nor does Balbastre attempt to take after the intellectual density and harmonic complexity of Rameau's keyboard music. Instead his little musical portraits have a mostly pleasant, pastoral mien, with harmonic touches that are unusual and evocative rather than difficult.
Most people are only aware of Marie Claire as the song writer of Celine Dions `Falling Into You', (or many many other tracks for such people as KD Lang, Enrique, Robert Miles, The Corrs, Belinda Carlisle etc), or for her only hit single `Rhythm is Magic' in the mid 90's. If you love either song, then you really should listen this album. She is an incredible song writer and performer, and the album is filled with stunning vocals, on brilliant pop and beautiful ballad tracks.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Recorded at the Cafe Praga, Bologna, Italy, Dec 4,5,6 1990. Although he started out playing in fusion-oriented settings, Steve Grossman developed into an excellent hard bop tenor in the tradition of Sonny Rollins (although he developed his own sound). Grossman originally started on alto when he was eight, added soprano at 15, and tenor at 16. He started at the top as Wayne Shorter's replacement with Miles Davis, playing in his fusion group from late 1969 up to September 1970. Grossman was with Lonnie Liston Smith in 1971, spent a valuable period (1971-1973) as part of Elvin Jones' group, and in the mid-'70s was with Gene Perla's Stone Alliance. Steve Grossman has mostly led his own bands ever since, recording as a leader for such labels as P.M., Owl, Red, and Dreyfus.
…Originally released in 1968, the now impossible to find self titled album by Les Fleurs De Pavot is considered as the first psychedelic/hippie record from France. A veil of mystery surrounded the real origins of the band at the time… according to their press release, they were formed by a couple of hippies, Groovy Pat from London and Jesus from San Francisco who met at some Soft Machine shows in Paris… the reality was more unglamorous: Les Fleurs De Pavot were in fact a twist band called Bourgeois De Calais, transformed into exploitation acid-eater hippies by their manager JP Rawson…