Filmmaker Miguel Kohan offers an affectionate tribute to the grand old men and women of tango in this documentary tracing the career of the exceptional musicians from the 1940s through the new millennium. While some outsiders see tango as simply a dance, to many Argentineans it is literally a way of life - especially the citizens of such cities as Buenos Aires, Montevideo, and Rosario. Within these cities dwell some of the very same people who drive tango to popularity back in the 1940s and 50s, some of them still performing the same dances that they did during the golden age of tango.
Like most Spanish maestros de capilla, Puebla, Mexico, Padilla composed a great number of chanzonetas or villancicos. These charming and melodious works encompass exquisite charm and refined elegance to unabashed humour; they are frequently framed with dance rhythms, often in a characteristic uneven triple time with abundant syncopation. All the words in this gender have melodic instrumental lines and accompaniments with great variety of possibilites: from a solo voice to a full choir.
The instruments were characteristic of Renaissence music: recorders, dulzian, shawms, cornets, voils, organ, crumhorns, etc. In Mexico, villancicos achieved such popularity that they were published even when paper was very scarce, and important works such as some writings of Sor Juana Inés de la Cruz could not be printed.
In the middle of the 1990s the album Black Coffee was produced, an enigma in Kaas' career. In 1995 it was decided to produce a work specially for the American market containing exclusively English lyrics. Rumours state that the album was never officially sold. It occasionally becomes available in online auctions, however, but the authenticity of these records is in doubt.
Unique! That is how the CD-box ‘Orgels in Nederland | Dutch organs’ can be described. An extensive project containing a book and some CDs, put together by Okke Dijkhuizen who participated in the organ recordings for EO radio many years. One hundred recordings of monumental big organs and also of some smaller and less known instruments. The book (both in Dutch and English) contains a general introduction of the organs, as well as some historical facts and the disposition of the recorded instruments. The editor has aimed at a diversity of organ-builders as big as possible and a balanced regional representation. The result is a fascinating selection, for lovers of organs a ‘partner for life’. Book (Dutch and English), 288 pages incl. 20 CDs.
Ibrahim selected his most important concerts to offer them to his public in the form of several objects. 10 years, a thousand concerts and dozens of countries crossed later, it was important for him to keep a lasting track!