The appetite for evolving performance practices in Bach’s St Matthew Passion appears undiminished as we have gradually shifted, over the generations, from larger to smaller ensembles and also towards a greater dramatic understanding of the implications of Bach’s ambitious ‘stereophonic’ double choir and orchestra choreography.
Konstantin Lifschitz has long since established himself as an outstanding exponent of the works of Johann Sebastian Bach. He has already recorded the `Musical Offering´ and the `Art of Fugue´ for ORFEO and now turns his attention to the composer´s seven keyboard concertos. He is partnered by the Stuttgart Chamber Orchestra, an ensemble that enjoys an equally distinguished reputation for its Bach interpretations. With only three of these seven concertos has it been possible to identify specific originals with different solo instruments, while the other four have been ascribed to various other instruments by experts in the field; attributions that none the less continue to be hotly debated.
Christopher Wrench commands a broad solo repertoire including the complete organ works of Bach, whilst also working as a liturgical musician, pedagogue & chamber player. He teaches organ at the Queensland Conservatorium Griffith University & directs the music programme at St Mary’s Anglican Church, Kangaroo Point in Brisbane. In 2008 he was awarded the Lord Mayor’s Australia Day Cultural Award for his outstanding contribution to the musical life of Brisbane.
Die Goldberg-Variationen sind ein Höhepunkt barocker Variationskunst. Jeder Einzelsatz besitzt seinen ganz eigenen Charakter. Der Zusammenhang der Variationen untereinander ergibt sich durch das gemeinsame Bassthema und durch einen planvollen Gesamtaufbau des Werkes mit regelmäßig eingefügten, in den Oberstimmen streng kanonischen Sätzen.
GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.