This exquisite 1978 studio recording of Madame Butterfly stars Renata Scotto, Placido Domingo, Gillian Knight and Ingvar Vixell, singing their respective roles with breathtaking realism and melodic richness. Quite possibly the best Butterfly on record, and a must have for devotees of Renata Scotto
Upon its release, Butterfly was interpreted as Mariah Carey's declaration of independence from her ex-husband (and label president) Tommy Mottola, and to a certain extent, that's true. Butterfly is peppered with allusions to her troubled marriage and her newfound freedom, and the music is supposed to be in tune with contemporary urban sounds instead of adult contemporary radio. Nevertheless, it feels like a Mariah Carey album, which means that it's a collection of hit singles surrounded by classy filler. What is surprising about Butterfly is the lack of up-tempo dance-pop. Apart from the Puffy Combs-produced "Honey," Butterfly is devoted to ballads, and while they are all well-crafted…
Another Night was a wholly unexpected album at the time of its release in February of 1975.
The Hollies’ 15th official album, it also marked the return of Allan Clarke to the lineup for the first time since Distant Light in 1971 — and it was, apart from one number, comprised entirely of group originals, a feat of songwriting acumen that the Hollies had not achieved since 1969’s Hollies Sing Hollies (which was sort of a “ringer” in that regard); and just as much to the point, all of the songs and recordings were pretty much first-rate, ranging widely from lyrical pop/rock to harder, edgier, album-oriented sides, with a couple of classic performances among them.
The Hollies' first album of original material following Graham Nash's departure was an attempt to regain the edge they'd had on Butterfly and Evolution albums, after the digression of the album of Dylan songs, the regrouping with Terry Sylvester in the lineup, and the unexpected hit achieved with "He Ain't Heavy, He's My Brother." It's a surprisingly strong album, not only in the songwriting (which includes the last Clark/Hicks/Nash song ever recorded, "Survival of the Fittest"), but also in the production, which isn't too far removed from what was heard on Butterfly and Evolution. There's no sitar here, but Tony Hicks – who is the real star of the group on this album – employs at least a half-dozen different guitars in uniquely fine voicings, and there is also some very striking use of orchestra…
Confessions of the Mind is the 1970 released album by The Hollies. It was released in the United States as Moving Finger, with a different track sequence, the tracks "Separated" and "I Wanna Shout" omitted and replaced with the Clarke/Sylvester penned "Marigold: Gloria Swansong" saved from the previous album (Hollies Sing Hollies aka He Ain't Heavy, He's My Brother - U.S.) and "Gasoline Alley Bred". In Germany, it was released as The Hollies Move On. The UK version peaked at UK #30. The US version peaked at US #183.
Hollies Sing Dylan is a 1969 cover album where the Hollies sing Bob Dylan songs. This album was recorded and released following Graham Nash's departure from the band to join David Crosby and Stephen Stills in December 1968 after early sessions for a follow-up to the psychedelic concept album, Butterfly broke down. There have been claims that the album was hated by fans and critics alike. However it peaked at no. 3 in the UK, their third highest showing for any LP and second-highest charting for one with newly recorded material. Nevertheless, the group's next album was titled Hollies Sing Hollies in an apparent move to placate critics. This is the first album with new member Terry Sylvester, who replaced Nash.
This late 1967 album found the Hollies making some modest adjustments to the psychedelic era: occasionally trippy studio effects, a sitar on their most psychedelic track ("Maker"), songs that didn't always deal with boy-girl relationships. In fact, however, the group's focus remained where it usually was: modest but pleasing, similar-sounding catchy tunes with high harmonies and strumming guitars.
Butterfly is the second studio album released by British band The Hollies in 1967, their seventh in England overall. It was also the last new Hollies album to feature Graham Nash until 1983's What Goes Around. This, like its predecessors For Certain Because and Evolution, featured songs written solely by Allan Clarke, Graham Nash, and Tony Hicks. This late 1967 album found the Hollies making some modest adjustments to the psychedelic era: occasionally trippy studio effects, a sitar on their most psychedelic track ("Maker"), songs that didn't always deal with boy-girl relationships. In fact, however, the group's focus remained where it usually was: modest but pleasing, similar-sounding catchy tunes with high harmonies and strumming guitars…
The Hollies are an English rock group known for their pioneering and distinctive three part vocal harmony style. The Hollies became one of the leading British groups of the 1960s (231 weeks on the UK singles charts during the 1960s; the 9th highest of any artist of the decade) and into the mid 1970s. They are one of the few British pop groups of the early 1960s that have never officially broken up and continue to record and perform. In recognition of their achievements, the Hollies were inducted to the Rock and Roll Hall of Fame in 2010.