This 1959 concert in Paris by Art Blakey's Jazz Messengers has been sporadically available on various labels, but this reissue in Verve's Jazz in Paris series is the best sounding and best packaged of the lot. Blakey's group of this period (Lee Morgan, Wayne Shorter, Jymie Merritt, and Walter Davis, Jr.) is in great form during an extended workout of Morgan's intense blues "The Midget," and Dizzy Gillespie's timeless "A Night in Tunisia" is kicked off by Blakey's an electrifying solo. But it is the addition of some special guests for the first two numbers that proves to be extra special. Bud Powell, sitting in for Davis, and French saxophonist Barney Wilen, on alto rather than his normal tenor sax, are both added to the band for inspired versions of Powell's "Dance of the Infidels" and "Bouncing with Bud." Morgan's trumpet playing is outstanding throughout the concert. This is one of the essential live dates in Art Blakey's rather extensive discography.
Though the mercurial pianist Bud Powell's performances could be erratic, to say the least, he's heard in top form on this live 1962 performance from Copenhagen. Indulging in seemingly effortless glissandos and breathtaking displays of technical mastery, Powell, accompanied by Oscar Peterson's future bassist Niels-Henning Orsted Pedersen, performs a high-spirited set that includes the Thelonious Monk classic "Straight, No Chaser" and a sensitive reading of Benny Golson's poignant standard, "I Remember Clifford."
Earl Rudolph "Bud" Powell (September 27, 1924 - July 31, 1966) was an American Jazz pianist. Powell has been described as one of "the two most significant pianists of the style of modern jazz that came to be known as bop", the other being his friend and contemporary Thelonious Monk. Along with Monk, Charlie Parker and Dizzy Gillespie, Powell was a key player in the history of bebop, and his virtuosity as a pianist led many to call him "the Charlie Parker of the piano". ~ Amazon
Three overlapping groups are heard from here, and they revisit the repertoire of the McKenzie & Condon's Chicagoans of 1927 (playing new versions of the four songs originally recorded) and Bud Freeman's 1939-1940 Summa Cum Laude Orchestra. The two septets and the octet feature such immortal Condonites as tenor saxophonist Bud Freeman; Jimmy McPartland and Billy Butterfield on trumpets; trombonists Tyree Glenn and Jack Teagarden (who also takes some vocals); clarinetists Pee Wee Russell and Peanuts Hucko; pianists Gene Schroeder and Dick Cary; rhythm guitarist Al Casamenti (but surprisingly no Eddie Condon); bassists Milt Hinton, Al Hall, and Leonard Gaskin; and drummer George Wettling. The veterans were all still in prime form at the time, and they sound quite inspired.
West coast cool purveyors Chet Baker (trumpet) and Bud Shank team up to provide the incidental soundtrack to The James Dean Story (1958). Granted, the biopic was presumably made to cash in on the actor's untimely demise, but movie buffs also recognize it as one of director Robert Altman's earliest features. The score was written by Leith Stevens, who had previously worked on Private Hell 36 (1954), The Wild One (1954), and the Oscar-winning sci-fi classic Destination Moon (1950). Those credentials may have gotten Stevens the gig, but his contributions remain somewhat of a double-edged sword.
Francis E. "Bud" DeTar was a long time resident of Brockport, NY. Born in Albion, NY, in 1922 and died on November 23, 2008. A well known local musician, Bud was a graduate of Rochester's Jefferson High School (1938), SUNY Brockport and the Eastman School of Music. Bud was an Army combat veteran of World War II in Europe. He served on the faculty of the music department at SUNY Brockport. Throughout his life Bud was a performing musician and bandleader in the Rochester area, with The Dixieland Ramblers, The Gates Swingers and other popular groups. The concerts performed by The Bud DeTar Big Band at the SUNY Brockport campus, several seasons in the 1990's, were quite memorable.