Symphony No. 9 is Philip Glass' ninth symphony. It was written between 2010 and 2011. It is written in 3 movements. It was commissioned by the Bruckner Orchester Linz, Carnegie Hall, and the Los Angeles Philharmonic Association.
In January 2014, music lovers worldwide were saddened to learn that Claudio Abbado had passed away. Deutsche Grammophon feels immensely blessed and proud to be releasing together with Accentus Music Bruckner’s Symphony No. 9 in D Minor, which was recorded as part of Abbado’s final concert.
Philip Glass' opera from 2009 explores the life of scientist Johannes Kepler though a series of dramatic scenes with two hours of Glass' music. Kepler in many ways hearkens back to Glass' portrait operas of the early 1980s and continues the composers interest in scientists after having also written operas on Einstein and Galileo. The opera premiered at the Landestheater Linz in 2009 as part of Linz 09, the European Cultural Capital, and continues the amazing 30 year collaboration between Glass and the conductor Dennis Russell Davies, the music director of both the Landestheater Linz and its orchestra, the Bruckner Orchester Linz who has also recorded Glass' music extensively for the Orange Mountain Music label including Glass Symphonies 6, 7, and 8, and Glass' large scale opera The Voyage which was originally written for the Metropolitan Opera.
López-Cobos is an excellent conductor with a wide repertory, best known for late-Romantic and the more colorful early 20th century literature. López-Cobos first led the Deutsche Oper Berlin in 1970, and would serve as general musical director for that company from 1981 to 1990. López-Cobos was named principal guest conductor of the London Philharmonic and served there from 1981 to 1986. In 1986, López-Cobos was named principal conductor and music director of the Cincinnati Symphony. With Cincinnati he would embark on an extensive recording schedule with Telarc, resulting in recordings of works by Respighi, Ravel, Richard Strauss, Wagner, Bruckner, Mahler, Falla, Bizet, Franck, and Dukas…
This recording gives a fascinating portrait of the approach to Bruckner’s music developed by Bernard Haitink and the Royal Concertgebouw Orchestra over their many years of working together.