George Frideric Handel (1685 – 1759): Italian Cantatas “Clori, Tirsi e Fileno” and “Apollo e Dafne”. Oboe Concerto in G Minor. Performed by various soloists and the Philharmonia Baroque Orchestra, directed from the harpsichord by Nicholas McGegan.
Pianist Bruce Levingston is artistic director for a New York organization that commissions new music and one of the works commissioned by that group was Philip Glass' A Musical Portrait of Chuck Close, given its world-premiere recording on this album. Levingston suggested the idea to Glass of a musical tribute to the painter after viewing Close's painting of Glass. The piece is in two movements, the first of which is full of alternations – between major and minor, between meters, between a rocking figure and running scales – that give it an overall chiaroscuro effect.
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19 Scales and Modes for Improvisation and Compisition Total Modal thoroughly examines the theory, harmony and application of 19 essential modes and scales for composition and improvisation. This intensive study program will provide a comprehensive framework for composing melodies and hooks, improvising over any set of changes, superimposing scales, creating progressions and constructing chords for any musical application. In short, Total Modal is the definitive scale and mode application resource.
The Russian composer Elena Langer, now resident in Britain, draws on influences from her native country (Shostakovich, especially in the chamber orchestration of these songs), from Britain (from Britten to Thomas Adès), and from continental Europe. As a song composer she is able to convey lightness even when dealing with serious material such as the title song cycle setting poems by Lee Harwood (most of the songs on the album are in English). These songs subtly depict love triangles, some of them with both straight and gay elements. Even better are the genuinely playful pieces.