There It Is is the 38th studio album by American musician James Brown. His second release for Polydor Records, it contained five of his early-70's hits. The album was released on June 9, 1972. It reached #10 on the Billboard R&B charts and #60 on the Billboard 200.
Monster Mike Welch, one of Boston’s best-loved guitarists, presents «Just Like It Is», a very bluesy album including 11 Mike’s songs out of 13, and certainely one of his finest to date. «Just Like It Is» was recorded the same way than the previous Mike’s opus («Cryin’ Hey!») with musicians Mike is very comfortable with (drums : Mark Teixeira - bass: Brad Hallen – keyboards: Anthony Geraci) and very quickly, in two days, like a live in studio without any overdubs.
Like any form of popular music, the blues has reflected the social conditions of the times, sometimes quite explicitly. News & the Blues offers 20 songs from the Columbia vaults from between 1927 and 1947. The Depression is reflected often, as expected, but there are also songs about natrual disasters, public figures like Joe Louis, World War II, and even the atomic bomb. Memphis Minnie and Bill Gaither even take the step of recording specific tributes to other blues singers (Ma Rainey and Leroy Carr respectively). Many of the performers are well-known – Bessie Smith, Mississippi John Hurt, Big Bill Broonzy, Charley Patton, Memphis Minnie, Bukka White…
These two Ray Goodman and Brown albums date from mid to late 80’s and have the production style of that era. Take it to the limit from 86 contains the late boogie track ‘Why must I Wait’, whilst ‘Mood for Lovin’ from 88 has some nice 2-step grooves ‘Where did you get the love’ and ‘Mood for Lovin’, and the uptempo ‘Electrified’..
A fresh approach to one of contemporary composition’s most iconoclastic and inventive figures, issued on the occasion of John Cage’s 100th birthday. Early Cage is the subject here, strikingly original songs and piano pieces from the 1930s and 1940s. Songs in which Cage sets words by writers whose vision was as independent as his own – James Joyce, Gertrude Stein, E. E. Cummings. As Paul Griffiths writes, “The music exists in singing that has a raw, living edge, and it exists in piano tone that can be utterly simple and utterly remarkable. There is also a third presence that of the producer, bringing forward the extraordinary resonances that come from Lubimov’s piano, with preparation or without.”