Der Autor Mario Giordano wurde 1963 in München geboren und studierte in Düsseldorf Psychologie. Er schreibt Romane, Jugendromane und Drehbücher z. B. für den Tatort, Schimanski, Polizeiruf 110, Das Experiment. Heute lebt er in Köln. Bei "Apocalypsis" handelt es sich um die erste Webnovele - eine Art digitalen Serienroman -, die nun in Buchform erschienen ist. …
Concerts with Maria Schneider are something special. They are stylistically not only out of the ordinary, they also manage to bring large orchestras to perform artistically at high voltage, with an energy and at a creative level which is otherwise known only in much smaller ensembles. It is not the music alone that drives the participants, but rather the serene seriousness of a band leader who demands a maximum of intensity from her compositions and passes this premise on to their interpretation. It is impossible to conceive of compositions for jazz orchestras more stringently. The instrumentalists know this too, and therefore feel called upon not only to reproduce the charts accurately but to work out all the contained hints, implications, and visions of sound down to the deepest levels. This original recording was made in May 2000 when Schneider appeared alongside the SWR Big Band. And for the SWR Big Band, those days in May 2000 are some of the highlights of their orchestral history.
The second CD by Philip Johnston's Big Trouble is jazz mixing great musicianship with a touch of madness. He treats Steve Lacy's "Hemline" as if it were penned by Raymond Scott (whose music was adapted for classic Looney Tunes cartoons) and "Bone" sounds like a wild improvisation on a childhood chant. Pianist Joe Ruddick's "Heaven, Hell, or Hoboken" has a nifty calypso beat with an intense cacophony of reeds and brass. Johnston is also a gifted composer; his "Pontius Pilate Polka" blends folk dances with swinging Dixieland interludes. "Mr. Crocodile" is a light samba with a touch of reggae. Highly recommended for fans of the great melting pot of jazz.
Funerary Music of Carriacou Presented here are the magnificent Big Drum songs from Carriacou, Grenada, a font of African and European musical traditions. This is music for the ancestors, or “Old Parents,” performed at Tombstone Feasts held years after death and burial, when the body is finally entombed and the spirit of the departed may at last rest in peace. Caribbean Voyage Released for the first time, Alan Lomax’s legendary 1962 recordings of the rich and many-stranded musical traditions of the Lesser Antilles and eastern Caribbean: work songs, pass-play and story songs, calypso, East Indian chaupai, and steel band music, reflecting the Central and West African, French, English, Celtic, Spanish and East Indian contributions to Caribbean culture. The Alan Lomax Collection The Alan Lomax Collection gathers together the American, European and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax.
Sometimes music is so theatrical that it needs no stage or actors to enlighten its listeners. If such music comprised a genre in and of itself, composer Heiner Goebbels would be one of its most idiosyncratic masters. Along with Michael Mantler, Goebbels represents a theatrical strand in the ECM universe that challenges the reviewer attempting to describe it, yet which is perfectly clear once it reaches the ears. My first encounter came through Surrogate Cities, a dazzling piece of music theatre that remains the yardstick by which I’ve measured all Goebbels experiences since. That being said, the more I hear, the more I recognize the futility of such comparison, for in his decidedly textual sound there is equal room for any and all sentiments to frolic, dance, and weep.