Cardboard sleeve (mini LP) reissue. Features 24 bit remastering in 2013. Comes with an original insert. Lady June, aka June Campbell Cramer, was a Bohemian artist and poet who was something of an honorary member of the less commercial wing of the early-'70s British progressive rock scene. Numerous musicians lived and hung out in her flat in the Maida Vale area of London, which is most famous as the place where (at a 1973 party) Robert Wyatt fell out of a window, paralyzing him from the waist down.
Veteran sonic visionaries Brian Eno and Kevin Shields, two giants of perspective-altering modern music production, teamed up for a single called “Only Once Away My Son” last year. They’ve just followed it with a new one called “The Weight Of History,” which was released Saturday as a Record Store Day exclusive with the prior track as its B-side.
Noted as a "maximalist" for his densely textured, intricately constructed serial works, Brian Ferneyhough is a challenging composer by any standard, and his uncompromising and intensely demanding scores are some of the most original of the late avant-garde. In such complicated chamber works as Funérailles I (1969-1977) and Funérailles II (1969-1980), both versions for seven strings and harp, Ferneyhough presents thickets of notes and short gestures that are tightly organized, but so abrupt and pointillistic that the lay listener may mistake them as random fragments, not at all as recurring ideas. Similarly, in the rhythmically layered Bone Alphabet for percussion (1991) and the angular Unsichtbare Farben (Invisible Colors) for solo violin (1999), the ear can only take in the surfaces of the music, having no way to grasp the underlying patterns that are employed. Yet it would be a mistake to think these pieces are just cerebral exercises, since Ferneyhough is too good a composer to pass off intellectual doodles as serious work. While there are designs in these pieces only a theoretician may comprehend and abrasive sonorities only a die-hard modernist may love, there are points of tension and release that are easily perceived, and textures and timbres that a prepared listener may appreciate without too much strain.