Features 24 bit remastering and comes with a mini-description. Paul Smith, jazz pianist, widely known as Ella Fritzgerald’s conductor and pianist, an active studio musician with a brilliant technique. Paul Smith also worked with renowned Jazz figures, such as: Dizzy Gillespie, Anita O’Day, Buddy DeFranco, Louie Bellson, Steve Allen, Louie Bellson, Stan Kenton, Mel Torme and many others. Pick of the day, Paul Smith’s rendition to Bossa Nova. This is Paul Smith Piano and Orchestra – Brazilian Detour (1966), for Warner. Paul Smith is a virtuoso piano player; he goes from the “liquid sounds” slow playing to a faster approach, hitting keys strongly. Paul Smith also leads the orchestra.
What is music? Many of today's top artists and scholars grapple with the question in this cinematic look at a uniquely human obsession. The Heart is a Drum Machine is a new feature documentary film project from the producers of Moog.
Playing creative drum fills is a great way to express yourself as a drummer. In this training pack, Lionel shares his proven three step approach for unlocking your natural ability to play creative fills - in any musical style.
The Drum Tuning System is the ultimate "how-to guide" for drummers that want to master the art of drum set tuning. Below you will find a detailed list of all the topics covered in this video training pack. It is important to note that the content is relevant for drummers of all skill levels. Many sections include valuable tips and tricks that can help even the most advanced drummers.
While bandleader and pianist Arturo O'Farrill has always sought to preserve the legacy of Latin jazz, he's never been one to do so it for its own sake, but always for evolutionary purposes. The Offense of the Drum features his 18-piece Afro-Latin Jazz band – a whopping 28 percussion instruments from all over the globe – and a notable host of collaborators including Donald Harrison and Vijay Iyer. The program highlights the cultural sounds and prismatic influences of South America, Spain, and the Caribbean in modern jazz. "Cuarto de Colores" weds the Brazilian, Colombian and Afro-Cuban rhythms to post-bop big-band jazz.