They've done this in the past, back in the days of 'Masque' and 'Do They Hurt', when where they'll do one or two numbers with a 'steppin' out' rhythm (examples: AWB's 'Pick Up the Pieces' and Janet Jackson's 'What Have You Done For Me Lately'), but fully half of this album has that same quarter note-driven rhythm. It's an interesting mix–that sort of beat behind guitarist Goodsall's crisp tonalities. The track 'Virus' at nearly eight minutes is the longest one they've done in at least fifteen years. This album isn't as minimalist as its predecessor 'Xcommunication', which was based almost entirely on guitar, bass and drums–they use a session keyboarist occasionally, along with some new MIDI-powered synth and sampler tonalities done by Goodsall.
Brand New Day is an album by the band Blood, Sweat & Tears, released in 1977. This was the band's tenth studio album and their first and only release for ABC Records. Brand New Day was produced by Roy Halee and former BS&T drummer Bobby Colomby. Colomby and Halee had also co-produced the group's fourth album, Blood, Sweat & Tears 4 in 1971. This collection failed to chart on the Billboard Album Charts in the top 200 even though it did reach #205 under the chart.
This Real Gone Music reissue in association with SoulMusic Records marks the worldwide CD debut for both albums, featuring liner notes by noted American journalist Rashod Ollison.
Bob Seger's Mongrel may have been a terrific album, but nobody heard it, just like its predecessor. So Capitol was ready to drop him and wanted a contract-fulfilling album as soon as possible. Seger delivered the low-key, introspective Brand New Morning to get out of the deal. Later he claimed that the album was a collection of demos released somewhat against his will, but listening to the record it's hard to believe that these intimate yet fully realized songs were bare-bone work versions…