Brahms Reger

VA – Brahms, Reger, Febel – Choral Preludes  

Posted by p.cedric at Sept. 16, 2008
VA – Brahms, Reger, Febel – Choral Preludes

VA – Brahms, Reger, Febel – Choral Préludes
Classical | 2007 | 64'59 | EAC/FLAC+CUE | Front JPG | 185 MB
Tanja Becker-Bender, Konzerthausorchester Berlin - Reger: Violin Concerto (2012) [Official Digital Download 24/44.1]

Tanja Becker-Bender, Lothar Zagrosek, Konzerthausorchester Berlin - Reger: Violin Concerto (2012)
FLAC (tracks) 24-bit/44.1 kHz | Time - 74:34 minutes | 760 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Reger is one of those composers more talked about than listened to—caricatured as a prolific writer of organ music with a penchant for dense musical textures. But he certainly wasn’t averse to a good tune: the two Romances abound in lush lyricism, while the magnificent A major Violin Concerto shows him continuing in the tradition of the violin concertos of Beethoven and Brahms. An unashamedly symphonic work, it’s nearly an hour long—around the same length as the nearly-contemporary Elgar Violin Concerto. No less a figure than Adolf Busch championed it—first performing it when he was just sixteen.

Reger: Cello Sonatas - Gerhardt, Becker (2008)  Music

Posted by peotuvave at June 2, 2014
Reger: Cello Sonatas - Gerhardt, Becker (2008)

Reger: Cello Sonatas - Gerhardt, Becker (2008)
EAC Rip | Flac (Image + cue + log) | 2 CDs | Full Scans | 496 MB
Genre: Classical | Label: Hyperion | Catalog Number: 67581

Alban Gerhardt’s profound musicality and charisma have made him one of the most sought-after cellists of his generation. His ebullient personality is present in all his performances; he is nevertheless passionately committed to the intentions of the composer, and his recordings are always the product of an intense personal journey into every aspect of the music. Gerhardt’s espousal of Reger’s cello sonatas and suites is thus greatly welcomed. Pianist Markus Becker has released twelve discs of Reger’s keyboard music and is an ideal interpreter.

Selected Writings of Max Reger  eBooks & eLearning

Posted by step778 at Feb. 6, 2017
Selected Writings of Max Reger

Christopher Anderson, "Selected Writings of Max Reger"
2006 | pages: 184 | ISBN: 0415973821 | PDF | 2,4 mb
Roger Norrington, SWR, NDR, Soloists - Johannes Brahms: Ein deutsches Requiem (2015)

Johannes Brahms - Ein deutsches Requiem (2015)
Christina Landshamer, soprano; Florian Boesch bass; Roger Norrington, conductor
NDR Chor, SWR Vokalensemble Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR

EAC | FLAC | Image (Cue&Log) ~ 268 Mb (incl 5%) | Mp3 (CBR320) ~ 168 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hänssler Classic | # CD 93.327 | Time: 01:04:24

Among the major choral-orchestral works of the 19th century, Sir Roger Norrington and his former Orchestra, the Radio-Sinfonieorchester Stuttgart des SWR, have tackled over the years, now finally comes Brahms' "German Requiem." one of the most beautiful and popular sacred music works in the repertoire. Brahms’ contemporaries, including his close friend Clara Schumann were moved with the score and were enthusiastic about it - and it has been a favorite with the general public ever since. Although Biblical texts are used, the piece is not in the standard church-liturgical tradition. It was Brahms‘personal response to "those who mourn"! The central idea of this masterpiece is the reality of human existence. It is precisely this „earthly character“ that Roger Norrington uses to shape his interpretation emphasizing the grave beautify of the music and not religious awe; in this, Norrington draws us close to the composer’s intentions. He is ably supported by soprano soloist Christina Landshamer, basso Florian Boesch, SWR Vokalensemble Stuttgart and the NDR.
Thea King, Clifford Benson - Johannes Brahms: Clarinet Sonatas (1986) Reissue 2004

Thea King, Clifford Benson - Johannes Brahms: Clarinet Sonatas (1986) Reissue 2004
EAC | FLAC | Image (Cue&Log) ~ 144 Mb (incl 5%) | Mp3 (CBR320) ~ 106 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hyperion/Helios | # CDH55158 | Time: 00:43:30

Brahms’s two sonatas for clarinet and piano, Op 120, composed in 1894, were followed only by the four Serious Songs and a set of organ chorale preludes (some of which may have been written at earlier times). His farewell to chamber music was also his farewell gift to the clarinet. The two works recorded here were preceded by the Clarinet Trio in A minor (Op 114) and the great Clarinet Quintet in B minor (Op 115), and all four masterpieces were inspired by the playing of Richard Mühlfeld, principal clarinettist of the Meiningen Orchestra.
Daniel Barenboim, Staatskapelle Berlin, Gustavo Dudamel - Johannes Brahms: The Piano Concertos (2015) 2CDs

Johannes Brahms: The Piano Concertos 1 & 2 (2015) 2CDs
Daniel Barenboim, piano; Staatskapelle Berlin; Gustavo Dudamel, conductor

EAC | FLAC | Image (Cue&Log) ~ 415 Mb (incl 5%) | Scans included | Time: 01:42:06
Genre: Classical | Label: Deutsche Grammophon | # 479 4899 GH2

The old model for creating a hit classical recording – big-name soloist plus big-name conductor in major repertory work – is not so common anymore, but this live Brahms recording from the Staatskapelle Berlin under Venezuela's Gustavo Dudamel, with Argentine-Israeli-Palestinian-Spanish pianist Daniel Barenboim as soloist, shows that there's life in the concept yet. One could point to the virtues of pianist and conductor separately: it's a rare septuagenarian who can combine power and clear articulation of detail the way Barenboim does, and Dudamel builds a vast sweep in, especially, the Piano Concerto No. 1 in D minor, Op. 15. But it's the way that the two work together that really makes news. Chalk it up to shared South American heritage or to whatever the listener wants, but the way the orchestra and piano define separate spheres and work them together is extraordinary. Again, it is in the Piano Concerto No. 1 and its Beethovenian drama that their mutual understanding is most evident, but there is a sense of great variety powerfully unified throughout.
Royal Concertgebouw Orchestra, Neeme Jarvi - Max Reger: Bocklin Suite, Hiller Variations (1989)

Max Reger - Böcklin Suite, Hiller Variations (1989)
Royal Concertgebouw Orchestra, conducted by Neeme Järvi; Jaap van Zweden, solo violin

EAC | FLAC | Tracks (Cue&Log) ~ 320 Mb (incl 5%) | Mp3 (CBR320) ~ 183 Mb (incl 5%) | Scans included
Genre: Classical | Label: Chandos | # CHAN 8794 | Time: 01:06:51

This is Reger at his most accessible. In both pieces there is plenty of atmosphere and colour. The Hiller Variations is possibly his greatest and most satisfying orchestral work and is indispensable. Reger was a prolific composer, and it has to be said not all that came from his pen was necessarily memorable. However, the two works on this disc are vintage Reger. He lived his short life as fast as he composed his music. His is a special and unique sound-world which offers great rewards to those who take the time to explore it. Radiant playing from the Concertgebouw under Jarvi and sound to match.
Sir John Barbirolli and Wiener Philharmoniker - Brahms: The Four Symphonies (2016)

Sir John Barbirolli and Wiener Philharmoniker - Brahms: The Four Symphonies (2016)
MP3 320 kbps CBR | Artworks | 03:35:46 | 562 MB
Genre: Classical | Label: Warner CLassics

The Original Jackets Series from Warner Classics focuses on the greatest recording from the past and reissues them with the original artwork from their first release.
Michaela Schuster & Markus Schlemmer - 'Morgen!': Songs by Brahms, Schumann, Reger, Strauss (2015)

Michaela Schuster & Markus Schlemmer - 'Morgen!' (2015)
Songs by Johannes Brahms, Robert Schumann, Max Reger, Richard Strauss

EAC | FLAC | Image (Cue&Log) ~ 259 Mb (incl 5%) | Mp3 (CBR320) ~ 171 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Oehms Classics | # OC 1833 | Time: 01:10:50

Michaela Schuster, the wonderful singer, explores the beauty of the romantic Lied literature on this programme wiuth sensitivity and enthusiasm, together with the empathetic Markus Sclemmer. This recording was made in the dreamlike atmosphere of the Eppan Lied Summer Festival, in which it is not difficult to sense the inspiration from this location and atmosphere.