After the expanded instrumental scale and sonic experimentation of Court & Spark and The Hissing of Summer Lawns, Joni Mitchell reverses that flow for the more intimate, interior music on Hejira, which retracts the arranging style to focus on Mitchell's distinctive acoustic guitar and piano, and the brilliant, lyrical bass fantasias of fretless bass innovator Jaco Pastorius. Known for his furious, sometimes rococo figures beneath the music of Weather Report, Pastorius is tamed by Mitchell's cooler, more deliberate ballads: these meditations coax a far gentler, subdued lyricism from Pastorius, whose intricate bass counterpoints Mitchell's coolly elegant singing, especially on the sublime "Amelia," which transforms the mystery of Amelia Earheart into a parable of both feminism and romantic self-discovery. This isn't Mitchell at her most obviously ambitious, yet the depth of feeling, poetic reach, and musical confidence make this among the finest works in a very fine canon.
After rushing their second album Don't Look Back, Boston took eight years to complete the album Third Stage. The long delay is even more surprising considering that their sound didn't change at all; even though only songwriter/guitarist Tom Scholz and vocalist Brad Delp remained from the original lineup, they were the ones responsible for Boston's sound…
Here is a collection of 159 titles, 227 CDs in the Elvis Presley - Follow That Dream Series (1999-2016). All of these have covers and many have very nice artwork. Several have full booklet scans as well.
Boston is the debut studio album by American rock band Boston. The album's style, often referred to as the "Boston sound", was developed through Scholz's love of classical music, melodic hooks and guitar-heavy rock groups such as the Kinks and the Yardbirds. The album was released by Epic in August 1976 and sold extremely well, breaking sales records and becoming one of the best-selling debut albums of all time. Boston's style was appropriated by label executives and imitated by bands to create radio-friendly "corporate rock", the creation of which the band was also accused.
While German Prog/Art rockers Jane may be a familiar name outside of the Prog arena, Harlis were a tremendously talented offshoot of the band who recorded two albums that didn’t conform to the Prog Rock rulebook, but didn’t stray to far from it either. Led by former Jane member Charly Maucher, Harlis were a bit looser than their contemporaries, which added a raw edge to their sound. While the band features excellent musicians, Harlis’ sound is more about the band as a whole as opposed to the skills of the individuals. Adding a bit more Blues and British and American Rock influences into the mix may have turned away some Prog fans, but in doing so, their sound has a timeless quality to it…
The trickster Madam Blanche Tyler lures the elder millionaire Julia Rainbird that believes she is a spiritualist. After a séance, she discovers that Julia is tormented by her past, when she forced her sister and single mother Harriet to deliver her baby for adoption to avoid a family scandal. Julia promises the small fortune of ten thousand-dollar to Blanche if she finds her nephew and heir of her fortune using her phony powers. Blanche asks her boyfriend George Lumley, who is an unemployed actor working as cab driver, to investigate the whereabouts of Julia's nephew. Meanwhile, the greedy jeweler and collector Arthur Adamson kidnaps wealthy people with his girlfriend Fran to increase his collection of diamonds with the ransom. When George concludes that Arthur Adamson might be the heir of Julia Rainbird, the reckless Blanche gets in trouble with the kidnappers.
After antagonizing a Caucasian male, three black men: Raymond Moffat, Junior Moffat and Ned Tiese go on the run; join the army; fight Vietnamese; make dough selling dope; and return home to Kincaid County. They decide to assist oppressed citizens to be more assertive, and with the preacher's help, get them registered to vote. This does not auger well with minority Caucasians - who feel threatened, put on Ku Klux Klan hoods, amidst signs to 'Fight Communist and Intergration' and launch an all-out attack with impunity. Things get even more complicated when a black woman is sexually molested, a black male is blamed, and the Sheriff is shot dead, leaving corrupt lawmen and heavily armed Klansmen free to slay whoever dares to oppose them.
The first of Polish director Andrzej Wajda's two "Solidarity" films, Man of Marble (originally Czlowiek Z Marmuru) concerns bricklayer Mateusz Birkut (Jerzy Radziwilowicz). Lauded as a national hero in the 1950s due to his skills at his trade, Birkut has inexplicably fallen into obscurity. In making a film of the bricklayer's life, documentary director Agnieszka (Krystyna Janda) discovers that the bricklayer used his sudden fame to become involved in labor politics – whereupon the repressive government did its best to wipe out all traces of his accomplishments. This climactic revelation was, ironically, excised by the Polish censors when Man of Marble was first released. Director Wajda followed this film with Man of Iron, which traced the further political exploits of director Agnieszka and her husband, the son of the unfortunate bricklayer – also played by Jerzy Radziwilowicz.