Boston Baroque Bach

Koopman, Amsterdam Baroque - Bach: Orchestral Suites (1997)  Music

Posted by peotuvave at Feb. 17, 2015
Koopman, Amsterdam Baroque - Bach: Orchestral Suites (1997)

Koopman, Amsterdam Baroque - Bach: Orchestral Suites (1997)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 384 MB
Genre: Classical | Label: Erato | Catalog Number: 0178682

The music of the Eighteenth century features delicate textures and refinement as well as expressiveness and energy. This was the age of the smaller chamber orchestra, and Bach was one of the compositional geniuses of the century. In this recording, the award-winning Amsterdam Baroque Orchestra, which specializes in authentic renditions on fine reproduction period instruments, performs four delightful Bach suites, including No. 1 in C, No. 2 in B Minor and Nos. 3 and 4 in D Major.
Boston Baroque, Martin Pearlman - Joseph Haydn: The Creation (2012) RE-UP

Boston Baroque, Martin Pearlman - Haydn: The Creation (2012)
FLAC (tracks) 24 bit/192 kHz | Time - 96:51 minutes | 4,37 GB
Studio Master, Official Digital Download | Artwork: Covers & Digital Booklet

The three-time Grammy-nominated Boston Baroque, widely regarded as ‘one of the world's premier period-instruments bands', marks the beginning of its relationship with Linn with a two-disc recording of Haydn's The Creation. The Creation remains one of the greatest works in the choral repertoire and has been astonishing audiences since its premiere in 1798.

Handel - Messiah (Boston Baroque)  

Posted by dino63 at Dec. 24, 2008
Handel - Messiah (Boston Baroque)

Handel - Messiah (Boston Baroque)
FLAC+Cue+Log | Scans | 2 CD | 603 MB
Baroque | Telarc | 1992
Rachel Podger, Brecon Baroque - J.S. Bach: The Art of Fugue (2016)

Rachel Podger, Brecon Baroque - J.S. Bach: The Art of Fugue (2016)
EAC | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:10:59 | 373 MB
Genre: Classical | Label: Channel Classics | Catalog: CCSSA 38316

A new recording from violinist Rachel Podger is always worth attention. And before you even get to appreciating the first-class performances - faithful realizations of Bach’s Art of Fugue skillfully arranged for strings - you notice the immediate, vibrant presence of the instruments. The sound is stunning, reminiscent of the early days of digital recording, when listeners used to marvel at how realistic the sound was. Channel Classics has been doing this forever; we just may have forgotten how special it is when it’s done right.
Rachel Podger & Brecon Baroque - J. S. Bach: Double & Triple Concertos (2013) [24bit/192kHz] RE-UP

Rachel Podger & Brecon Baroque - Bach: Double & Triple Concertos (2013)
FLAC (tracks) 24 bit/192 kHz | Time - 65:24 minutes | 2,23 GB
ChannelClassics' Studio Master, Digital Download | Digital booklet

The dynamic ensemble Brecon Baroque was founded in 2007 by violinist and director Rachel Podger as resident ensemble at her annual Brecon Baroque Festival. Experience Rachel Podger's unique brand of Baroque music as she tackles Bach's Double and Triple violin concertos with the Brecon Baroque ensemble.
Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]

Johann Sebastian Bach - "La Nativité", Cantates BWV 61, 122, 123, 182
Montreal Baroque - Eric Milnes
EAC+LOG+CUE | APE: 295 MB | Artwork | 5% Recovery Info
Label/Cat#: ATMA # SACD2 2403 | Country/Year: Canada 2008
Genre: Classical | Style: Baroque, Sacred

This is the fourth volume of ATMA's ongoing Bach Cantata cycle and it is a big improvement over Bach: Cantatas BWV 1, 82, 147 - Montréal Baroque because Eric Milnes has moderated his previous excesses of interpretative choices. Now pauses fit in the overall conception of phrases and the longer line is immediately identifiable without recourse to a score…

Bach - Orchestral Suites [Pearlman]  Music

Posted by paracels at Feb. 14, 2010
Bach - Orchestral Suites [Pearlman]

Bach - Orchestral Suites [Pearlman]
Classical, Baroque | 1 CD | CD-DA | FLAC tracks, no CUE, no LOG | Scans HQ | 388 MB | RS | TT 73:32
Recorded: September 2003, Mechanics Hall, Worcester, Massachusetts
Released: 2004 | Label: TELARC
Boston Baroque, Martin Pearlman (conductor)

Bach - Orchestral Suites [Pearlman]

"There is no dearth of recordings of the Bach Orchestral Suites, but this new one goes right to the top of the list of recommended performances. The recording is as fine as the performances, which is to say, remarkable." (Robert Levine)
J.S.Bach - Cantatas BWV 61, 122, 123, 182 La Nativite vol.4 (Eric Milnes)

J.S.Bach - Cantatas BWV 61, 122, 123, 182 La Nativite vol.4 - Montreal Baroque, Eric Milnes
CD | APE + CUE + LOG | Cover + Booklet | 329.2Mb | 1:12:48 | ATMA Classique 2008

Yo-Yo Ma - Yo-Yo Ma plays Bach (2017)  Music

Posted by SERTiL at May 12, 2017
Yo-Yo Ma - Yo-Yo Ma plays Bach (2017)

Yo-Yo Ma - Yo-Yo Ma plays Bach
Classical, Baroque | WEB FLAC (tracks) & d. booklet | 80:29 min | 360 MB
Label: Sony Classical | Tracks: 20 | Rls.date: 2017

CBS/Sony Classical has been accompanying superstar cellist Yo-Yo Ma for decades on his journey through the unsurpassed works written for his instrument by Johann Sebastian Bach. The label is now pleased to announce the release of important landmarks from that journey, Yo-Yo Ma Plays Bach, on a single CD. Ma's first recording of Bach's six Solo Suites, which went on to win the Grammy® for "Best Classical Instrumental Performance" and is represented here by the Sarabande from the Sixth Suite, took place in 1982. In the same year, Yo-Yo Ma recorded Bach's complete sonatas for viola da gamba with harpsichordist Kenneth Cooper which was hailed by Gramophone as "intelligent and expressive."
Jordi Savall - Les Voix Humaines - Abel, Bach, Marais, Sainte-Colombe (1998) {Alia Vox AV9803}

Jordi Savall - Les Voix Humaines - Abel, Bach, Marais, Sainte-Colombe (1998) {Alia Vox AV9803}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 352 Mb | MP3 @320 -> 181 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1998 Alia Vox | AV9803
Classical / Baroque / Chamber Music / Viola da gamba

If he were so minded, Jordi Savall might hand copies of this CD out to new acquaintances as the musical equivalent of a calling-card. True, he appears here only in the guise of soloist, whereas a more complete portrait would need to include samples of his work as director and conductor; but as an illustration of the range of the viola da gamba, this generously filled disc is exemplary. And although the calling-card might not be handmade, it is the nearest thing to it, since Alia Vox is Savall’s own, newly established label.