Un ouvrage de référence qui donne les clés de l'histoire pour mieux comprendre le monde d'aujourd'hui.
Collection includes: Back To The Light (1992); Resurrection - Japanese Tour Mini Album (1993) with Cozy Powell; Live At The Brixton Academy (1994) as The Brian May Band; Red Special - Japanese Tour Mini Album (1998); Furia: Soundtrack (2000).
With a band patched together from the remnants of Mott the Hoople, British Lions is all swagger and little substance; music performed as though it's very important and vital, but with little in the way of memorable tunes or attitude. That's the late-'70s hard rock mainstream for you, and it's easy to imagine these guys slogging it out in arenas as a support act, which in fact they did for Blue Oyster Cult and UFO. Really, it's hard to hear this without sniggering a little. Worse, it sort of recalls the pathetic fictional '70s band featured in the British movie Still Crazy that was posited as a group once very popular and meaningful, but played songs so shallow and derivative that any viewer with a reasonably deep background in music appreciation would fail to be convinced.
Recorded at The Armoury Studios in Vancouver, Canada with Townsend and Adam ‘Nolly’ Getgood (Periphery, Animals as Leaders), Transcendence sounds absolutely massive. From the moment ‘Truth’ a re-work from the Infinity album monstrously blends into the soul-stirring ‘Stormbending’ to the undulating cool of mid-point jam ‘Secret Sciences’ and Ween cover ‘Transdermal Celebration’, Townsend and crew have engineered a modern-day classic. The sheer scale of tracks like ‘Failure’, ‘Higher’, and the majestic title track is at once daunting and inviting. Transcendence pulls the listener in like a movie score. It has the emotional heft of Rosenman’s Star Trek IV: The Voyage Home and the mega-riff power of Black-era Metallica.