Boeing 2015

American playboy Bernard Lawrence has cleverly designed a system using the airline timetables to keep going three affairs with flight stewardesses.

Before man ruled the world, Earth was a land of giants. Count down the biggest beasts of their kind to ever roam the planet in this eye-opening special, and uncover the secret lives of these supersized species. Birds with plane-length wingspans, dinosaurs rivalling a Boeing 737; this stunning CGI special goes in search of the truth behind these monsters, counting down the ten largest and most extraordinary finds. From handling the recently unearthed bones of a dinosaur far larger than previously known, to analysing the flight technique of a giant seven-metre bird uncover the unique adaptations that allowed each animal to thrive.

This is a five albums CD box set with original artwork 'mini LP' CD wallets in deluxe packaging. It contains the albums Dead Ringer (1981), Midnight At The Lost And Found (1983), Bad Attitude (1984), Blind Before I Stop (1986), Live At Wembley (1987).

A crazy couple travels to Portugal.

Accompanied by a top-flight rhythm section, four exceptional German gypsy violinists trade solos on five standards and three originals. The album swings infectiously as the violinists present lively renditions of Satin Doll and Autumn Leaves, as well as a surprisingly up-tempo Bye Bye Blackbird. The four are following in the tradition of legendary gypsy guitarist Django Rheinhardt and his musical soulmate French violinist Stephane Grappelli, but there is a taste of something more modern. Leader of the pack Zipflo Rheinhardt is descended from Django, but admits to being influenced by Jean-Luc Ponty.

Bruno Fontaine’s boldness should be applauded. There is no shortage of identikit Satie piano recitals that present an anaemic, straight-laced portrait of this most idiosyncratic of composers. At first sight, Fontaine’s new disc is no different. He obeys the legal requirement for Satie piano recitals to include the Gymnopédies and throws in the Gnossiennes as additional indemnity.

“The most important thing is to play on a good instrument”, Antonii Baryshevskyi confided to Ukrainian journalist Olha Kizlova in an interview given in 2013. “Furthermore, you need truly good schooling – an environment that allows for music education. Our [Ukrainian] piano culture is based on the teaching of [Heinrich] Neuhaus, who paid special attention to timbre and tone quality. Sonority is extremely important for an interpreter – something I’ve been working on for a long time.”