Richard Marx's 1991 release, Rush Street, is a varied album that was billed as "the dark side of Richard Marx," and was also his last true rock & roll album (subsequent releases found him venturing almost exclusively into the adult contemporary domain). Rush Street explores different musical territories, with almost each song emerging as a cautionary tale in some form or another. The album kicks off to a rocking start with the bluesy "Playing With Fire" and the harmonica-enhanced "Love Unemotional." "Superstar" finds Marx in a funky mode, "Big Boy Now" is a catchy ballad that could have been a single, and "Streets of Pain" and "I Get No Sleep" (the latter featuring Billy Joel banging away at a piano) come straight out of '80s arena rock.
Repeat Offender is the second studio album by singer/songwriter Richard Marx. Released in mid-1989, it reached No. 1 on the Billboard Pop Albums chart. The album went on to sell over five million copies in the US alone (several times that worldwide) due to five major singles on the Billboard charts, including two No. 1 hits: "Satisfied" and the Platinum-certified "Right Here Waiting".
Richard Marx's self-titled debut album was a finely crafted record of mainstream pop/rock. Marx understood how the melodies of up-tempo rockers like "Don't Mean Nothin'" are driven by thick power chords, and how arrangements are as important as melody in ballads like "Hold On to the Nights." Filled with carefully constructed radio-ready tracks, it was no surprise that the album became a huge hit.
Although the musical Oliver! was a successful musical (both in London and the U.S.), pianist Bob Dorough was one of the few (maybe only) jazz musicians who saw the possibilities to improvise upon its music. Omitting vocals on this occasion, Dorough examines both the dramatic nature of the 11 songs as well as finding humor within some of them. "Boy for Sale" is very moody, featuring Al Schackman on bouzoukee (not exactly an instrument heard on the common jazz date), while he switches to classical guitar for a bossa nova arrangement of the normally plaintive ballad "Where Is Love?" and sticks to electric guitar on the rest of the date…