For those interested in the acoustic Bob Dylan, this concert is like the grail; his voice is in impeccable shape, and his delivery is revelatory. For those interested in the transition from acoustic to electric, this show is the seam, and for those who are die-hard fans, this is another welcome item in the official catalog.
Another Self Portrait, the tenth volume in Bob Dylan's official bootleg series, assembles a slew of unreleased tracks, un-and over-dubbed alternate takes, and demos, mostly from 1970's Self Portrait and New Morning sessions – they were recorded simultaneously and released within months of one another – and other material. Dylan restlessly dug into the fakebook of folk, blues, and country tunes that nourished him from the beginning. The few original songs are minor ones. Twenty-six of these 35 selections were recorded between March and June. Dylan is in fine voice and he tries on many: some raspy, others crystal clear, all of them bold. The interconnected nature of these albums is revealed with the opening demo for "Went to See the Gypsy" (used on NM). It's just Dylan and guitarist David Bromberg. (Another take recorded three months later features just Dylan on electric piano.)
3 CD deluxe editon set of 2008 release of Bob Dylan Vol. 8 Tell Tale Signs: The Bootleg series with rare and unleashed material from 1989 - 2006. A treasure-trove of 39 songs spanning 3 discs, Tell Tale Signs features previously unreleased recordings and alternate versions of tracks from sessions which generated some of Bob Dylan's most acclaimed and commercially successful albums from the last two decades, including Time Out Of Mind, 'Love And Theft', Modern Times and Oh Mercy.
The first volume Legacy’s Miles Davis bootleg series offered audio and video evidence of his second great quintet playing the Newport Jazz Festival in Europe in 1967. Acclaim from critics and fans was universal. This second entry, Live in Europe 1969: Bootleg Series, Vol. 2, showcases almost an entirely different band – only saxophonist Wayne Shorter remains. Bassist Dave Holland, drummer Jack DeJohnette, and pianist Chick Corea made up Davis' road band, and other individuals participated in sessions for Filles de Kilimanjaro and In a Silent Way. These fire-breathing performances offer a band at fever pitch hearing and playing what they knew even then was a new chapter in jazz history.
The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.
Self Portrait was Dylan's second double album (after Blonde on Blonde), and features many cover versions of well-known pop and folk songs. Also included are a handful of instrumentals and original compositions…