For those interested in the acoustic Bob Dylan, this concert is like the grail; his voice is in impeccable shape, and his delivery is revelatory. For those interested in the transition from acoustic to electric, this show is the seam, and for those who are die-hard fans, this is another welcome item in the official catalog.
Another Self Portrait, the tenth volume in Bob Dylan's official bootleg series, assembles a slew of unreleased tracks, un-and over-dubbed alternate takes, and demos, mostly from 1970's Self Portrait and New Morning sessions – they were recorded simultaneously and released within months of one another – and other material. Dylan restlessly dug into the fakebook of folk, blues, and country tunes that nourished him from the beginning. The few original songs are minor ones. Twenty-six of these 35 selections were recorded between March and June. Dylan is in fine voice and he tries on many: some raspy, others crystal clear, all of them bold. The interconnected nature of these albums is revealed with the opening demo for "Went to See the Gypsy" (used on NM). It's just Dylan and guitarist David Bromberg. (Another take recorded three months later features just Dylan on electric piano.)
3 CD deluxe editon set of 2008 release of Bob Dylan Vol. 8 Tell Tale Signs: The Bootleg series with rare and unleashed material from 1989 - 2006. A treasure-trove of 39 songs spanning 3 discs, Tell Tale Signs features previously unreleased recordings and alternate versions of tracks from sessions which generated some of Bob Dylan's most acclaimed and commercially successful albums from the last two decades, including Time Out Of Mind, 'Love And Theft', Modern Times and Oh Mercy.
The Bootleg Series Vol. 13: Trouble No More 1979–1981 is a set of recordings from 1979 to 1981 by Bob Dylan, set to be released on Columbia Records/Legacy Recordings on November 3, 2017. It showcases the music Dylan wrote and performed during the so-called Christian period, covering the albums Slow Train Coming, Saved and Shot of Love.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).