An intricate tale of "medicine, monopoly and malice", FIRE IN THE BLOOD tells the story of how Western pharmaceutical companies and governments blocked access to low-cost AIDS drugs for the countries of the global south in the years after 1996 - causing ten million or more unnecessary deaths - and the improbable group of people who decided to fight back. Shot on four continents and including contributions from global figures such as Bill Clinton, Desmond Tutu and Joseph Stiglitz, FIRE IN THE BLOOD is the never-before-told true story of the remarkable coalition which came together to stop 'the crime of the century' and save millions of lives in the process.
Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.
Ludwig Minkus’s Don Quixote has held a place in the repertoire since its premiere at the Bolshoi Theater in 1869. The music is charming and well orchestrated, but persistently a little bland. There are plenty of melodies, but none of them are particularly distinctive. This is certainly not Tchaikovsky or Prokofiev. The poor boy meets rich girl love story interwoven with the fantastic adventures of Don Quixote has attracted the biggest names in ballet over the years, with Marius Petipa’s original classical production being followed by Rudolph Nureyev, Mikhail Baryshnikov, and George Balanchine. Now, it is Carlos Acosta’s turn. His choreography is based on Petipa, but he has modernized it with his trademark physicality, and some new unclassical sounds (clapping, vocal exclamations) from the corps de ballet on stage.