This is a fine CD of Blues Brothers material, featuring the original Blues Brothers Band and frontman Larry Thurston, performing at Montreux Jazz Festival on July 12, 1989. From the late '80s through the early 90's, the Blues Brothers Band was a popular touring act throughout Europe, with Mr. Thurston doing a fine job on lead vocals. None of the other 90's Blues Brothers frontmen (Dan Ackroyd, John Goodman, Jim Belushi) appear on this CD or in this Line-Up. Not exactly "essential", but a good performance of the tour band during this period of the band's history.
It takes an aircraft-carrier of a release such as Live at the Beacon Theatre to remind us just how unique the Allman Brothers Band always was and still is. Traditionally a byword for down-home R&B/country blues-rock, the reality is that the band's gigantic sound is almost a musical form in itself. Make no mistake, the Allmans are still making big music, now with a two-guitar front line as well as their trademark two-drummer rhythm section (augmented these days with an additional percussionist), plus Gregg Allman's Hammond cutting through all of this like a serrated knife.
2016 live archive release from the southern rockers. Live From A&R Studios: New York, August 26, 1971 was initially a radio broadcast that originally aired on WPLJ. This set features the band steamrolling through a set of songs including "Statesboro Blues, " "Trouble No More, " "One Way Out, " "In Memory of Elizabeth Reed" and "Hot 'lanta." The recording was widely bootlegged, but has been remixed from the original multi-track recording. The quality, dynamic performance and ambience encompassed herein all at once make for a quite staggering sonic experience, one that fans of this legendary act in it's original line-up will relish alongside the groups other essential releases.
For roughly half a decade, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan.
Goes the song written by legendary biker-bandleader, Harry Fryed. He ain't kidding either. And twenty-five years later, the party is still going strong. The award-winning Fryed Brothers Band has been on the road, carving out a reputation as the best biker band in the world. Their energetic brand of American roots music is an irresistible stew of country, blues, swing, boogie-woogie, and good old roadhouse rock and roll.
This two-CD set won't cause you to throw out your copy of Fillmore East, but it is at very least a worthy companion to that 1971 classic. Recorded the previous year at the famed Cincinnati venue (but not released until 1991), Ludlow catches the band in the moments just before their peak. Some of the material will be familiar to fans, but this collection adds gems such as John Lee Hooker's "Dimples" and the blues classic "I'm Gonna Move to the Outskirts of Town" to their recorded repertoire. And if you thought the 33-minute "Mountain Jam" on Eat a Peach was extensive, you need to hear Ludlow's 44-minute version, which comprises the entire second CD.
The Blues Brothers: Music from the Soundtrack was released on June 20, 1980 as the second album by the Blues Brothers Band, which also toured that year to promote the film. "Gimme Some Lovin'" was a Top 20 Billboard hit, peaking at number 18. The album was a followup to their debut, the live album, Briefcase Full of Blues. Later that year they released a second live album, Made in America, which featured the Top 40 track, "Who's Making Love"…