Blue Haze

Miles Davis - Blue Haze (1954)  

Posted by jazzzoid at March 5, 2009
Miles Davis - Blue Haze  (1954)

Miles Davis - Blue Haze (1954)
JAZZ | FLAC+IMAGE+LOG+CUE+COVERS | 183Mb

Howlin' Wolf - Chicago Blue (1995)  Music

Posted by popsakov at May 30, 2017
Howlin' Wolf - Chicago Blue (1995)

Howlin' Wolf - Chicago Blue (1995)
EAC Rip | FLAC (Img) + Cue + Log ~ 105 Mb | MP3 CBR320 ~ 71 Mb
Scans (PNG, 300 dpi) ~ 92 Mb | RAR 5% Recovery
Chicago Blues, Electric Chicago Blues | Tomato / Rhino #R2 71733

Chester Arthur Burnett, known as Howlin' Wolf, was a Chicago blues singer, guitarist and harmonica player, originally from Mississippi. With a booming voice and looming physical presence, he is one of the best-known Chicago blues artists. Musician and critic Cub Koda noted, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits." Producer Sam Phillips recalled, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies'". Several of his songs, including "Smokestack Lightnin'", "Back Door Man", "Killing Floor" and "Spoonful", have become blues and blues rock standards. In 2004, Rolling Stone magazine ranked him number 51 on its list of the "100 Greatest Artists of All Time."

Colour Haze - In Her Garden (2017)  Music

Posted by Pisulik at March 29, 2017
Colour Haze - In Her Garden (2017)

Colour Haze - In Her Garden (2017)
XLD | FLAC (Tracks) +cue, log - 452 MB | MP3 CBR 320 kbps - 167 MB | 01:12:53
Psychedelic Rock, Space Rock, Stoner Rock | Label: Sonic Rendezvous DCM | Release Year: 2017

The 12th studio album from Munich-based trio Colour Haze, titled In Her Garden and featuring an array of tracks named for plant-life including and so on, lands less than three full years after its predecessor, 2014’s To the Highest Gods We Know. Like that offering, In Her Garden is a sprawling, 2LP affair - its 72 minutes fit on one CD, however, which She Said didn’t - rife with progressive forward steps on the part of the self-recording three-piece guitarist/vocalist Stefan Koglek, bassist Philipp Rasthofer and drummer Manfred Merwald, who work with Jan Faszbender on modular synth, Rhodes, Hammond and, on the 63-second interlude “sdg I” and the nine-minute “Labyrinthe,” an arrangement of bass-clarinet, trombone and tuba.

Ishq - 2 Albums (2010-2012)  Music

Posted by gribovar at Jan. 25, 2017
Ishq - 2 Albums (2010-2012)

Ishq - 2 Albums (2010-2012)
EAC Rip | FLAC (tracks+.cue+log) - 480 MB | MP3 CBR 320 kbps (LAME 3.93) - 235 MB | Covers - 45 MB
Genre: Electronic, Ambient | RAR 3% Rec. | Label: Virtual

Based in Cornwall, England, Ishq is Matt Hillier and Jacqueline Kersley. They have been working in ambient and electronic music since the mid 90's and have also released music under various other names including Elve and Ishvara and on their own record label "Virtual". Their music has been described by fans and reviewers as deep, otherworldy, and magical.
"Fluid Earth" (2010) is an album release of the 2nd CD on the Dakini 2CD version of "Orchid" and contains material from the original "Orchid" sessions. Written and produced 2001. "Bloom" (2012) is a compilation album of various unreleased tracks and one alternative mix, recorded between 2001 and 2012.
Miles Davis - The Complete Prestige 10-Inch LP Collection (2016) [TR24][OF]

Miles Davis - The Complete Prestige 10-Inch LP Collection
Jazz | FLAC (tracks) 24-bit/96 kHz | 236:38 min | 3.00 GB | Digital booklet
Label: Prestige/Concord Music | Tracks: 46 | Rls.date: 2016

Miles Davis is at once one of the most musically influential and most popular artists in the history of jazz. And his legendary Prestige recordings are amongst the all-time classics in the genre. Just in time to celebrate what would have been Miles' 90th birthday. Miles Davis: The Complete Prestige 10-Inch LP Collection presents high resolution recordings of all ten albums on which Miles Davis appeared as a leader for Prestige Records (1951 - 1954), plus a bonus album featuring Davis as a guest artist with Lee Konitz.
Miles Davis - Chronicle: The Complete Prestige Recordings 1951-1956 (1987) {Prestige, 8PCD 012-2}

Miles Davis - Chronicle: The Complete Prestige Recordings 1951-1956 (1987) {Prestige, 8PCD 012-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.07 Gb | MP3 @320 -> 1.28 Gb
Full Artwork @ 300 dpi (jpg) -> 44 Mb | 5% repair rar
© 1951-56, 1987 Prestige / Fantasy / ZYX | 8PCD 012-2
Jazz / Bop / Hard Bop / Trumpet

This CD compilation presents, on 8 discs, 17 recording sessions made between 1951 and late 1956 by the extraordinary trumpeter, leader, composer, and perpetual catalyst–Miles Davis. Featured in this collection are such major artists as Charlie Parker, Thelonious Monk, Charles Mingus, Sonny Rollins, Lee Konitz, and the original Davis Quintet: John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. The expanse of Miles Davis's recordings for Prestige Records, the California analogue to New York's Blue Note, is huge. In terms of artistic development, the eight CDs in this box span Davis's development from tentative searching through the full bloom of his first great quintet, whose frontline boasted Davis and a young John Coltrane.
The J. J. Johnson Quintet - Dial J. J. 5 (1957) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 22}

The J. J. Johnson Quintet - Dial J. J. 5 (1957) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 22}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 269 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 600 dpi (png) -> 201 Mb | 5% repair rar
© 1957, 2015 Columbia / Sony Music Japan | SICJ 22
Jazz / Bop / Hard Bop / Trombone

Reissue with the latest remastering. Comes with liner notes. One of JJ's best from the late 50s – a tightly crackling hardbop set, recorded very much in the manner of his classic JJ Inc album! The sound here is a bit more compact overall – with some shorter tracks that really allow Johnson to display his keen sense of economy on his horn, while working in a burning mode that recalls some of his best bop sides from the early years – particularly his work on Blue Note.

Evan - Blue Lightning (2016) [Japanese Ed.]  Music

Posted by Andi_Deris at Sept. 6, 2016
Evan - Blue Lightning (2016) [Japanese Ed.]

Evan - Blue Lightning (2016) [Japanese Ed.]
EAC Rip | FLAC: Image+Cue+Log | 441 Mb | MP3 CBR 320 kbps | 148 Mb | Scans | 45 Mb | Time: 55:32
King Record Co., Ltd. | KICP-1792
Neoclassical Metal, Progressive Power Metal, Shred

EVAN K is a 21-year old Greek/German guitarist & composer whose very melodic & memorable playing is fully displayed on Blue Lightning's 9 tracks. Highlights include "Skies Of Shred," "Into The Light," "Orchestra Of Withered Clouds," and a cover of the classic BLACK song, "Everything Is Coming Up Roses." Evan is influenced by Gus G, Jeff Loomis, Andy James, Yngwie Malmsteen, John Petrucci, Uli Jon Roth, Michael Romeo, Gary Moore, Michael Schenker, and Ritchie Blackmore. He has just finished recording his debut album, Blue Lightning, which features some famous guests from the Power-Progressive Metal Scene like Fabio Lione (Rhapsody Of Fire, Angra, Vision Divine)…

Paige Tiziani - Dolls Kill - Purple Haze Collection  Girls

Posted by guasman at May 21, 2016
Paige Tiziani - Dolls Kill - Purple Haze Collection

Paige Tiziani - Dolls Kill - Purple Haze Collection
144 JPG | up to 1400x2000 | 43,3 mb
American model

Mike Pachelli - Fade To Blue (2016)  Music

Posted by popsakov at April 23, 2016
Mike Pachelli - Fade To Blue (2016)

Mike Pachelli - Fade To Blue (2016)
EAC Rip | FLAC (Img) + Cue + Log ~ 360 Mb
Scans (JPG, 600 dpi) ~ 32 Mb | RAR 5% Recovery
Blues Rock, Blues, Jazz, Funk | FullBlast Recordings #FBR 2160

Fade To Blue is the sixteenth CD release for guitarist Mike Pachelli. Having covered many genres in the past, Fade To Blue is an amalgamation of Pachelli’s many musical styles, including blues, jazz and rock. The CD features Kevin McKendree (B3), Rich Russo (drums) and Baba Elefante (bass), each carrying an impressive resume on their own accord. Fade To Blue is a concept album and was recorded the old fashion way: with musicians actually in the same room playing together. Mike elaborates on this, “The album represents what the group does live. We usually start off bluesy with a hint of jazz, then we rock the crowd, give them a bit of funk and try to leave the audience wanting more”…