Blondie Remastered

Cold Chisel - Last Stand (1992) {2011, Remastered Collector's Edition}

Cold Chisel - Last Stand (1992) {2011, Remastered Collector's Edition}
EAC Rip | FLAC (Img) + Cue + Log ~ 614 Mb | MP3 CBR320 ~ 192 Mb
Full Scans (JPG, 600 dpi) ~ 57 Mb | RAR 5% Recovery
Classic Rock, Pub Rock | Warner Music #5249871402

Years of struggle had turned Cold Chisel into one of Australian rock's all-time great bands – many would argue the greatest. But the years had also taken their toll and, by the early '80s, rifts had begun to drag on the band. Drummer Steve Prestwich called it quits in June 1983. Two months later, the band put out a press release saying it was disbanding and in December played its final concerts to sold-out audiences at the Sydney Entertainment Centre. The shows were filmed for the documentary Last Stand: this is the film's soundtrack and the cream of those concerts. Undoubtedly a chunk of Aussie rock history, this album also stands purely on the strength of its content. Impassioned renditions of 16 of Chisel's best numbers (three of which – "Twentieth Century," "Flame Trees," and "Janelle" – had not as yet been released) delivered to rabid audiences show that the guys could still get their mojo working in overdrive and that, to the end, Cold Chisel were a great live act.

Killer Klowns from Outer Space (1988) [Remastered]  Video

Posted by Without at April 25, 2018
Killer Klowns from Outer Space (1988) [Remastered]

Killer Klowns from Outer Space (1988)
BRRip | AVI | 720x388 | XviD@1598 kb/s | English MP3@192 kb/s
Subs: English | 2 channels | 1 h 26 min | 1.09 GB
BDRip 720p | MKV | 1280x688 | AVC@6502 kb/s | English DTS@768 kb/s
Subs: English | 6 channels | 1 h 26 min | 4.37 GB
BDRip 1080p | MKV | 1920x1040 | AVC@13.8 Mb/s | English DTS@768 kb/s
Subs: English | 6 channels | 1 h 26 min | 8.74 GB
Genre: Comedy, Horror, Sci-Fi

Aliens who look like clowns come from outer space and terrorize a small town.

Climax Blues Band - Blues From The Attic (1993) {2012, Remastered}  Music

Posted by popsakov at April 25, 2018
Climax Blues Band - Blues From The Attic (1993) {2012, Remastered}

Climax Blues Band - Blues From The Attic (1993) {2012, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 575 Mb | MP3 CBR320 ~ 186 Mb
Full Scans (JPG, 600 dpi) ~ 40 Mb | RAR 5% Recovery
Electric Blues, Blues Rock | Repertoire Records #REP 5276

Now available on CD in Digipak format. Released for short time in 1993 on the indie HTD label and hard to find. Recorded at The Attic Bar in Stafford in September 1992, before an ecstatic home-town crowd. Only their second live album after 1974's iconic FM Live and of comparable quality. Features definitive Nineties line up of Colin Cooper, Lester Hunt, George Glover, Neil Simpson and Roy Adams. Contains long-time set opener Fool For The Bright Lights , their biggest hit single Couldn't Get It Right and classics Chasing Change and The Movie Queen . Band play on today with frontman Johnny Mars replacing the late Colin Cooper, and most of this repertoire survives in their set. Booklet with authoritative and extensive liner notes written by respected Record Collector journalist Michael Heatley. Expertly remastered superb sound - top quality reproduction. The best in the business!

Bob Dorough - Devil May Care (1956) Remastered Reissue 2000  Music

Posted by Designol at April 25, 2018
Bob Dorough - Devil May Care (1956) Remastered Reissue 2000

Bob Dorough - Devil May Care (1956) Remastered Reissue 2000
EAC | FLAC | Tracks (Cue&Log) ~ 139 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included
Vocal Jazz, Bop, Cool | Label: Bethlehem/Avenue Jazz | # R2 75994 | Time: 00:48:06

R.I.P. Mr. Bob Dorough (December 12, 1923 – April 23, 2018)

This 1956 recording was Bob Dorough's debut, an introduction to one of the most unusual talents in jazz. He's a gifted songwriter and a fine pianist, but most of all, he's a unique lyricist and singer, rattling off hyperkinetic vocalese in an almost chirping, high-pitched voice that somehow retains hints of an Arkansas drawl and a conversational intimacy. He's as distinctive on Hoagy Carmichael's beautiful "Baltimore Oriole" as he is on the bop fanfares like Dizzy Gillespie's "Ow!" and Charlie Parker's "Yardbird Suite," with his own memorable lyrics. His boppish piano playing–with all the virtues of crisp articulation and an acute sense of time–is an oddly conventional complement to the vocals, and there are good contributions by Warren Fitzgerald on trumpet and Jack Hitchcock on vibes. Devil May Care's title tune has recently received fine covers by more conventional singers like Diana Krall and Claire Martin, but it's much more distinctive here. While Dorough has influenced generations of jazz singers, from Mose Allison to Kurt Elling, there's nothing quite like the original.
John Foxx - The Golden Section (1983) {2CD Deluxe Remastered Edition Edsel EDSD2015 rel 2008}

John Foxx - The Golden Section (1983) {2CD Deluxe Remastered Edition Edsel EDSD2015 rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 789 Mb | MP3 @320 -> 265 Mb
Full Artwork @ 300 dpi (jpg) -> 33 Mb | 5% repair rar
© 1983, 2008 Metamatic Records / Edsel Records / Demon Music | EDSD2015
Synth-Pop / New Wave / Electronic

John's third solo album was released in 1983 and charted at number 27 in the UK. Disc 2 includes 16 bonus tracks: non-album a- and b-sides, rarities as well as eight previously unreleased tracks. The booklet contains the lyrics to all the songs as well as rare photos, and the singles sleeves.

Blondie Magazine UK - April 2018  Magazines

Posted by Pulitzer at April 25, 2018
Blondie Magazine UK - April 2018

Blondie Magazine UK - April 2018
English | 30 pages | True PDF | 7.2 MB

The Fixx - Phantoms (1984) [Non-Remastered]  Music

Posted by Designol at April 25, 2018
The Fixx - Phantoms (1984) [Non-Remastered]

The Fixx - Phantoms (1984) [Non-Remastered]
EAC | FLAC | Image (Cue&Log) ~ 302 Mb | Mp3 (CBR320) ~ 136 Mb | Scans included
New Wave, Dance-Rock, Pop/Rock | Label: MCA | # DIDX-127, MCAD-5507 | 00:42:39

The Fixx had a banner year in 1983, as their second album, Reach the Beach, broke down doors and gave the band a huge hit with "One Thing Leads to Another." Phantoms wasn't as good, not just because Reach the Beach had that hit but also because it was simply a really good mainstream new wave record. Phantoms was a little more serious, a little more lugubrious, a little directionless, but it still is a pretty good record, all the same. The reason why? The Fixx were a good band. They had an original sound, thanks to the echoing synths, clean-processed guitars, cavernous drums, and Cy Curnin's soaring voice, which soared over the precise arrangements to make it sound human. The wondrous thing about this combination is that it sounded appealing even when the material wasn't the equal of the sound, which is often the case on Phantoms. That's not to say it's a disaster, because it hardly is – the band sounds good, and the record is a shining example of post-new wave production.

Zagor N.631 – Il ritorno di Blondie (2018)  Comics

Posted by edi1967 at Feb. 5, 2018
Zagor N.631 – Il ritorno di Blondie (2018)

Zagor N.631 – Il ritorno di Blondie (2018)
Italian | 100 pages | CBR + PDF | 211 MB

Blondie evade in maniera rocambolesca da un carcere nel cuore dei Monti Appalachi. La sua non è una fuga verso la libertà, bensì alla ricerca di qualcosa forse legato al suo passato, a Nord, in una città: Scanlon Creek. Per una fortunosa coincidenza, anche Zagor e Cico si dirigono nello stesso luogo…

Blondie - Live Berlin (2017)  Music

Posted by v3122 at Jan. 30, 2018
Blondie - Live Berlin (2017)

Blondie - Live Berlin (2017)
DVD5: PAL 16:9 (720x576p) VBR, Auto Letterboxed
MPEG1, 2 ch, 192 Kbps / Dolby AC3, 6 ch, 448 Kbps
New wave, Pop rock, Punk rock | HDTV=>DVD5 | 00:59:48 | ~ 4.06 Gb

~ Blondie Live at Schwuz, Berlin, Germany. April 28, 2017. ~
Blondie - Eat To The Beat (1979/2017) [Official Digital Download 24/96]

Blondie - Eat To The Beat (1979/2017)
FLAC (tracks) 24-bit/96 kHz | Time - 43:04 minutes | 992 MB
Studio Master, Official Digital Download | Artwork: Front Cover

Just as Blondie's second album, Plastic Letters, was a pale imitation of their self-titled debut, Eat to the Beat, their fourth album, was a secondhand version of their breakthrough third album, Parallel Lines: one step forward, half a step back.