'Covered In Black is a highly melodic affair, it is also challenging in a way none of previous albums are. Dealing with, and dedicated to, people in dark places, this albums has a darker and more complex edge to it. Allowing ourselves to dig deeper into our collective pool of musical experiences and knowledge, the inspirations come from far across the spectrum. Ranging from classical chamber music, seventies prog and extending to thrash, with very eastern influences popping up,this is an album that is best heard as one piece, even if the individual tracks can stand on their own. Since we've come this far we also allowed ourselves that freedom. Is it a concept album? No. But it is a theme album. About people in dark places. From psychopaths, assassins to the more modern topics of being at the receiving end of what is bad about social media. Topics of lifelong failure and revenge are touched upon. The ten-song-long album has two suites, both consisting of three songs. One has the songs spread here and there on the album, while the other is connected as one long piece if you wish to listen to it that way. Wonderfully old-fashioned and just the way we like it. And it is, we feel, simply the best album we've ever done.'
Canned Heat rose to fame because their knowledge and love of blues music was both wide and deep. Emerging in 1966, Canned Heat was founded by blues historians and record collectors Alan “Blind Owl” Wilson and Bob “The Bear” Hite. Hite took the name “Canned Heat” from a 1928 recording by Tommy Johnson. They were joined by Henry “The Sunflower” Vestine, another ardent record collector who was a former member of Frank Zappa’s Mothers of Invention. Rounding out the band in 1967 were Larry “The Mole” Taylor on bass, an experienced session musician who had played with Jerry Lee Lewis and The Monkees and Adolfo “Fito” de la Parra on drums who had played in two of the biggest Latin American bands, Los Sinners and Los Hooligans.