Allfader's second full-length album Black Blood Flux is without a doubt these Norwegian's strongest work to date. Their sound remains instantly recognizablewith melodic Death Metal, but with Black Blood Flux the band's traditional heavy metal influences are stronger than ever. In all its heaviness, the album sounds very organic and is completely stripped of synthesizers and clean vocals. The result is a rawer, more aggressive and focused sonic expression.
In the midst of the Civil Rights Movement where spirits may not have been high, Nina Simone walked onto the stage and used her raspy voice to send a message. That message is there's always tomorrow and the future is bright. It's a live album that features Simone singing some of her biggest songs as well as other songs that she was fond of at the time. It also features a lot of dialogue from Simone on issues facing black Americans at the time.
The story goes that composer Carter Burwell owes his fortuitous, ongoing collaboration with the filmmaking's Brothers Coen to one crucial requirement: he worked cheap. But the Coens' low-budget film noir debut, Blood Simple (which also launched the career of cinematographer-turned-director Barry Sonnenfeld), certainly got the best of the bargain, a wonderfully less-is-more score highlighted by a compelling solo piano theme. For the Coens' next film, Raising Arizona, a darkly goofy kidnapping-themed comic vehicle for Nicolas Cage and Holly Hunter, Burwell veered bravely into the ozone, mixing heavily Gothic organ, soaring sopranos, bluegrass banjo, whistlers, synths, yodelers, and samples of what sounds like a tin can being kicked down the longest hill in the world into a delightfully heady farrago that recalls Morricone at his most mischievous.