Billy Fury, born Ronald Wycherley (17 April 1940 - 28 January 1983), was an internationally successful English singer from the late-1950s to the mid-1960s, and remained an active songwriter until the 1980s. Rheumatic fever, which he first contracted as a child, damaged his heart and ultimately contributed to his death. An early British rock and roll (and film) star, he equalled The Beatles' record of 24 hits in the 1960s, and spent 332 weeks on the UK charts…
The Greatest Hits Volume III album includes hits from 1983 to 1997. Three previously unreleased studio tracks are included, "To Make You Feel My Love", "Hey Girl", and "Light as the Breeze". All three tracks are covers songs (a rare occurrence in his catalogue), and although "To Make You Feel My Love" and "Hey Girl" were recorded to be singles for this album, Joel originally recorded the song "Light as the Breeze" for a Leonard Cohen tribute album, Tower of Song, released in 1995. Chronologically, Greatest Hits Volume III overlaps slightly with Volume II, as the first two tracks, "Keeping the Faith" and "An Innocent Man", first appeared on his album An Innocent Man.
Although it's missing a few important (not to mention big) hits, Greatest Hits, Vols. 1 & 2 is an excellent retrospective of the first half of Billy Joel's career. Beginning with "Piano Man," the first disc runs through a number of early songs before arriving at the hit-making days of the late '70s; some of these songs, including "Captain Jack" and "New York State of Mind," weren't strictly hits, but were popular numbers within his stage show and became radio hits. Once the songs from The Stranger arrive halfway through the first disc, there's no stopping the hits (although "Scenes From an Italian Restaurant," an album track from The Stranger, manages its way onto the collection). In fact, over the next disc and a half, there's so many hits, it's inevitable that some are left off – to be specific, "Honesty," "Sometimes a Fantasy," "An Innocent Man," "Leave a Tender Moment," and "Keeping the Faith" aren't included.
Some of the marks of excellence on a Billy Flynn CD are as predictable as they are gratifying. It's a given that the songwriting, music, and players will reflect taste, quality, a savvy knowledge and broad nuanced mastery of the blues (with special emphasis on Chicago sylings) which only a true scholar, virtuoso, and veteran could bring, and a love of exploring both styles and instruments outside of the blues guitar and vocals which remain the core of his music…..
Aoxomoxoa is the work of the magical band. Can you hear this music and not see them before your eyes? The music is so much the reality of their physical and spiritual bodies that seeing them is the wonder of seeing music.
Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history).