Billy Eckstine was looking back more than forward by 1960, and his second record for Roulette featured two remakes of familiar hits he'd enjoyed almost 20 years earlier. He also covered two average themes from forgottable movies, the first being the title song (from a Yul Brynner vehicle), the second being "Secret Love" (from a Doris Day film). It may read like a desultory date, and indeed it would have been if not for the presence of a solid jazz band and the surprisingly sympathetic arrangements of big-brass auteur Billy May.
This CD has an unusual cover picture showing Billy Eckstine singing while holding a trumpet. He does indeed take a few short trumpet solos on the well-rounded program, 24 songs (13 previously unissued) performed during one night in Las Vegas. Eckstine, who is backed by an orchestra arranged by his pianist Bobby Tucker, is heard in prime form on a variety of standards. His baritone voice (which was quite influential) straddles the boundary between middle-of-the-road pop and jazz on such numbers as "I've Grown Accustomed to Her Face," "Without a Song," "Prisoner of Love," "I Apologize", "Alright, Okay, You Win" and "'Deed I Do." A good example of his talents.
Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. A pretty great live set by Billy Taylor and his early trio with Earl May on bass and Percy Brice on drums – recorded at Town Hall in 1954! Taylor is actually pretty darn amazing on the set – very much the virtuoso, playing with an incredible range and an almost modern approach to the tunes – one that seems looser, and more expressive than some of his previous studio sessions for Prestige Records – in a way that makes this album a gem well worth seeking out! Titles include "Theodora", "A Foggy Day", "How High The Moon", and "I'll Remember April".
A wildly imaginative set of solo works on prepared piano and drum set by Billy Martin (Medeski, Martin and Wood, The Lounge Lizards, Creative Music Studio). Informed by a series of his own visual artworks, Martin recorded 3 impromptu sets of performances at The Herman House Gallery surrounded by his art.
This 15-track set puts together some amazing performances by Billy Eckstine's band from the early '40s when he was leading one of the more intense, smoking bands on the scene. Some of his players during these years included Fats Navarro, Charlie Parker, Dizzy Gillespie, Miles Davis, Dexter Gordon, and Kenny Dorham, just to name a few. The Eckstine band was sophisticated, jumping, and they swung like mad no matter the tune. Here, of course, the emphasis is on Eckstine's vocals, his smooth as silk baritone that could sing a ballad like Duke Ellington's "Sophisticated Lady," or a deep swinging blues by Doc Pomus ("She Got the Blues for Sale"). There's scat, solid jazz balladry, and jumping, tough-hitting blues here. Highly recommended.
Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. A Touch of Taylor is an album by American jazz pianist Billy Taylor recorded in 1955 for the Prestige label. The album was one of the first 12-inch LPs released by the label.