This outstanding DVD features many of the most important artists from the heyday of the big band era. Such giants as Billy Eckstine, Gene Ammons, Andy Kirk, Bing Crosby, Tex Beneke, Johnny Long, Ozzie Nelson and Johnny Messner can be seen here leading their orchestras in superlative fashion.
Billy Eckstine - The celebrated vocalist and band leader Billy Eckstine was one of the most important musical figures of the 1940's.
Features 24 bit remastering and comes with a mini-description. A great return to form for vocalist Earl Coleman – a singer who'd recorded earlier in the bop years, but who makes a rare 60s appearance here on a soulful set for Atlantic Records! Coleman's got a rich voice that's somewhere between Johnny Hartman and Billy Eckstine – with a great range that really goes deep when it wants, yet still has a fluid sensibility that's definitely jazz more than anything else. Billy Taylor's on the record on piano, and leads the combo on most numbers – but the set also features some nice arrangements from Frank Foster and Tom McIntosh, both of whom really keep things interesting. Titles include "Charade", "When Did You Leave Heaven", "I Wish I Knew", "Day In the Life Of a Fool", and "I Won't Tell A Soul".
The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. The Complete Motown Singles might have seemed like a logical move to soul collectors and fanatics, but it remained in the realm of fantasy for many years because, as enticing as that set was, it was difficult to create.
Clifford Brown: "Best Coast Jazz" is the Five Star bookend session to "Clifford Brown All Stars", both having been recorded at the same session in Los Angeles in 1954. On the vinyl LP, each song took up a side, allowing for plenty of blowing room. "BCJ" would be released in 1955. One year later, Clifford Brown (and pianist Richie Powell and wife) would be dead from a car wreck on the Penn Turnpike during a rainstorm. Thus altering the course of jazz trumpet history in one tragic act. "CBAS" would be hurriedly released following the accident and we would once again shake our heads at the tremendous loss of trumpet genius Clifford Brown.
Verve Records was originally the product of the vision of jazz impressario Norman Granz (1918-2001). He formed the label in 1956 and moved all of the recordings released on his earlier Norgran Records and Clef Records labels to create the new Verve catalog.
Features 24 bit remastering and comes with a mini-description. Austin's one and only album as leader. If you like crooners, then he can croon with best. The only album we've ever seen from vocalist Austin Cromer – a deep-voiced jazz singer with a style that's somewhere in the best space between Billy Eckstine and Arthur Prysock! Cromer's a lot more relaxed and less posturing than either of those bigger names – and he's got a great setting here, with small combo backing from a group that features Hubert Laws on flute, Chick Corea on piano, Richard Davis on bass, and Bruno Carr on drums! The set's a jazz one at heart, but has some soulful undercurrents too.
Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources. The only reason I can think of for there not yet being a review of these four boxed sets, is that those who own them are just too busy having one hell of a blast listening to them. Some people moan about the 50 year copyright law for audio recordings in Europe, but without it this highly entertaining, eye-opening and educational undertaking could never have taken place. These 100 discs (spread over four boxed sets of 25 discs) tell the story of jazz from 1898 to 1959.