This outstanding DVD features many of the most important artists from the heyday of the big band era. Such giants as Billy Eckstine, Gene Ammons, Andy Kirk, Bing Crosby, Tex Beneke, Johnny Long, Ozzie Nelson and Johnny Messner can be seen here leading their orchestras in superlative fashion.
Billy Eckstine - The celebrated vocalist and band leader Billy Eckstine was one of the most important musical figures of the 1940's.
Features 24 bit remastering and comes with a mini-description. A great return to form for vocalist Earl Coleman – a singer who'd recorded earlier in the bop years, but who makes a rare 60s appearance here on a soulful set for Atlantic Records! Coleman's got a rich voice that's somewhere between Johnny Hartman and Billy Eckstine – with a great range that really goes deep when it wants, yet still has a fluid sensibility that's definitely jazz more than anything else. Billy Taylor's on the record on piano, and leads the combo on most numbers – but the set also features some nice arrangements from Frank Foster and Tom McIntosh, both of whom really keep things interesting. Titles include "Charade", "When Did You Leave Heaven", "I Wish I Knew", "Day In the Life Of a Fool", and "I Won't Tell A Soul".
It was during the 1960s that Quincy Jones became a world renowned Jazz musician and composer of film soundtracks, but it was not until about the middle of the decade that success of this nature began to come his way, soon after he had composed the score for Oscar nominated The Pawnbroker. Indeed, during the first few years of the 1960s he lived as a working musician, bandleader and the musical director of Barclay Records - the French imprint of Mercury - but could barely earn enough to pay the bills. This however, did not prevent Quincy from continuing to perform and release music of a quite superlative nature.
Charlie Parker has had many admirers and his influence can be detected in numerous styles, but few have been as avid a disciple as Sonny Stitt. There was almost note-for-note imitation in several early Stitt solos, and the closeness remained until Stitt began de-emphasizing the alto in favor of the tenor, on which he artfully combined the influences of Parker and Lester Young. Stitt gradually developed his own sound and style, though he was never far from Parker on any alto solo. A wonderful blues and ballad player whose approach influenced John Coltrane, Stitt could rip through an up-tempo bebop stanza, then turn around and play a shivering, captivating ballad.
Thirteen hours of unreleased and ultra-rare music. The Eternal Myth Revealed is a 14 disc docu-biography of Ra's life and career, from his birth in 1914 up to 1959. In addition to his own music, it includes music he was influenced by, and a lot of stuff he may or may not have had a hand in as arranger, vocal coach, pianist or something else. Sun Ra's output was as prolific as Ellington's, and discographers have had nightmares and arguments attempting to document it accurately.
The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. The Complete Motown Singles might have seemed like a logical move to soul collectors and fanatics, but it remained in the realm of fantasy for many years because, as enticing as that set was, it was difficult to create.