Au travers de ses propres Mémoires, et à la lumière des découvertes les plus fondamentales qui ont rythmé sa vie, ce sont, en quelque sorte, les Mémoires de l’humanité que nous restitue ici Yves Coppens, conjuguant le savoir du scientifique, son humanité et le talent de l’écrivain …
"L’Inimico delle Donne" which means someone who doesn’t like women, is an opera written by Galuppi in 1771. He was very well-known at this time but when he died, suddenly his works disappeared from the stages. Among them ”L’Inimico delle Donne” disappeared so well that nobody knew it existed. Hence it has never been played since its first venue in Venice in 1771. Some years ago its manuscript was found in Lisbon and Royal Opéra de Wallonie decided to recreate and to stage it.
Deftly mixing equal parts of folk and symphonic prog is what this Spanish band does best. The Strawbs did it with English folk whereas Ibio stress their Spanish roots; however, the comparison stops here as their musical styles have absolutely nothing in common. This quartet from Cantabria (land of the famous Caves of Altamira) released only one LP back in 1978 and then mysteriously disappeared. Despite some Italian symphonic overtones brought on by the lush keyboard work, the mostly instrumental album "Cuevas de Altamira" never lets you forget its Iberian origins: typical Spanish melodies with a generally upbeat tempo, strong presence of the acoustic guitar and a few but emphatic vocals (perhaps a little overwrought for some tastes). The abundance of moog, synths and mellotron, the complex drumming and the mildly distorted and phased electric guitar make it a 100% prog album.
This disc consists of two major parts: a documentary by Miguel Vallecillo (51 minutes), consisting of songs from Paris concerts and an extended interview with Camarón; and a complementary programme (35 minutes) of other songs from the same concert series. Extras include a video clip of "Como el agua" (5 minutes), and a gallery of photographs.