Carry On is a four-CD set, spanning 50 years and includes more than five hours of music and includes a 113 page booklet. Produced by Graham Nash and Joel Bernstein with Stephen Stills, Rhino s anthology spotlights the remarkable scope of stills career with essential recordings, live cuts, new mixes, and 25 previously unreleased tracks. The tracks unfold mostly in chronological order, and the anthology leads off with its oldest entry: "Travelin " a previously unreleased recording that Stills made at age 17 in Costa Rica (one of the many places he lived growing up in a military family). The youngest track, recorded only a few months ago, features CSN performing "Girl From The North Country" in New York City during a sold-out five-night run at the Beacon Theater that closed the group s acclaimed 2012 world tour.
Esoteric Recordings announce a new release on their recently launched Cocteau Discs imprint, a limited edition reissue of BILL NELSON’s classic 4 disc ambient boxed set "TRIAL BY INTIMACY (The Book of Splendours)”. The set was originally released on Bill’s Cocteau Records label in October 1984 and comprised recordings made by Bill at his Echo Observatory home studio. Comprising some eighty pieces of music, the set was a fine example of Bill Nelson’s grasp of Ambient music and has subsequently been hailed as a ground-breaking work. Long deleted, the set is made available once more with this newly re-mastered Cocteau Discs edition. The new release fully restores the original elements of the "TRIAL BY INTIMACY” box and is an exact facsimile, reproducing a 32 page book and eight art postcards that featured in the original set.
Unbeknown to most fans, So Far was a stopgap release, undertaken by Atlantic Records in the absence of a new Crosby, Stills, Nash & Young album to accompany the reunited quartet’s summer 1974 tour.
Crosby, Stills, Nash & Young had come out of Woodstock as the hottest new music act on the planet, and followed it up with Deja Vu, recorded across almost six months in the second half of 1969 and released in March of 1970, supported by a tour in the summer of that year. As it happened, despite some phenomenal music-making on-stage that summer, the tour was fraught with personal conflicts, and the quartet split up upon its completion. And as it happened, even Deja Vu was something of an illusion created by the foursome — Neil Young was only on five of the album’s ten tracks — which meant that an actual, tangible legacy for Crosby, Stills, Nash & Young was as elusive and ephemeral to listeners as Ahab’s Moby Dick.
It was, at the time, one of the highest-grossing rock tours ever, grossing over 11 million dollars in an era when such figures were uncommon. Such success camouflaged the chaos behind the scenes – the bitter fights and feuds, the excess and indulgence that led to Crosby, Stills, Nash & Young pocketing about a half million dollars each, when all was said and done. Big bucks were the reason the CSNY 1974 tour even existed. Efforts to record a new album in 1973, their first since 1970's breakthrough Déjà Vu, collapsed but manager Elliot Roberts and promoter Bill Graham convinced the group to stage the first outdoor stadium tour in the summer of 1974, with the idea that CSNY would test-drive new material in concert, then record a new studio album in the fall, or maybe release a live record from the historic tour. Neither happened.
Long May You Run is not a Neil Young solo album. It is credited to "The Stills-Young Band," which is to say, Stephen Stills and his band with Young added, and the two divide up the songwriting and lead vocals, five for Young, four for Stills. The pairing, though it proved short-lived and had, in fact, ended before this album was released, must have seemed commercially logical…
'Right By You' was Stephen Stills' reward for the yeoman effort he put forth on the 1982 Crosby, Stills and Nash reunion disc. Prior to his second reunion with Crosby and Nash, Stephen had produced two commercial duds in 1978, 'Illegal Stills' and 'Thoroughfare Gap'. Although both albums featured some tantalizing tracks, the disco groundswell engulfing popular music was making Stephen's patented folk-rock-blues sound passe…