Deluxe three CD clamshell boxed collection. Dreamy Screens: Soundtracks from the Echo Observatory set features three albums, all recorded at Bill Nelson's Yorkshire home studio, the Echo Observatory, in 1981 and 1982 - Sounding the Ritual Echo (originally issued as a limited edition bonus LP with Bill's 1981 album Quit Dreaming and Get On the Beam), Das Kabinet (a soundtrack to a production of The Cabinet of Doctor Caligari by The Yorkshire Actors Company issued as an LP on Bill's Cocteau label in 1981) and La Belle et La Bete (a soundtrack to a stage production of Jean Cocteau's classic 1946 film Beauty & the Beast, first issued as a limited edition bonus LP with Bill's 1982 album The Love That Whirls).
At the end of March 2011, Bill Nelson and the Gentlemen Rocketeers, along with one hundred plus guests, populated Studio A at Metropolis, West London, for a dynamite concert reminiscent of the Marquee club in its heyday. A blistering fourteen song set from the band, which covers much of Bill’s career to date, was the result. We’re delighted to present that set here on both CD and DVD, together with an interview with Bill and a sublime four track solo set as DVD extras.
‘The Awakening Of Dr Dream’ is an album of instrumentals, mainly guitar oriented. The style ranges through ambient, rock, melodic and even a little jazz, making for a richly varied listening experience. The album is not available as a physical CD, but is an exclusive digital download only via this Bandcamp page. It comes complete with full downloadable artwork at no extra cost. I hope you will enjoy it!
My Secret Studio really isn't a secret, and never has been, unless you count the period of time when problems of life and surroundings seemed to make it impossible for Bill Nelson to actually get anything musical out into the open. His larger commercial connections had evaporated, his own label had been wracked by unethical behavior by his manager, and his life as a whole seemed to be one gigantically complex knot. Rather than letting these problems crushing the inspiration out of him, Nelson was energized by them. He might not have been able to release much of a anything for a while, but this didn't stop him from recording hundreds of new songs and instrumental pieces.
The Last Of The Neon Cynics is a collaborative project by Bill Nelson and comic book artist Matt Howarth. The download includes a 110 page high-rez full colour PDF graphic novel and all the original CD artwork. All music composed, played and recorded by Bill Nelson. Comic book graphic novel story and artwork by Matt Howarth.
ESOTERIC RECORDINGS imprint Cocteau Discs, the home of BILL NELSON’s catalogue between 1971 and 2001, continues their series of on-going releases with the newly remastered and expanded release of his 1986 album "GETTING THE HOLY GHOST ACROSS”. Released in 1986, the record was Bill’s sole album for the Portrait label, and was a superbly realised work. Previously released on CD as strictly limited edition of 500 copies on Bill’s Sonolux label, the album is hugely sought after on CD by collectors.
This album contains the music he was commissioned to write for artist Rob Ward's "Crimsworth" installation. This comes in the form of two lengthy tracks…
This compilation of Nelson's work over a ten-year span follows an earlier Cocteau set, The Two-fold Aspect of Everything, which compiled single releases and oddities. Nelson is amazingly prolific, with many albums to his credit, and a growing list of box sets in various forms…
Originally planned as a mere stopgap release between albums, Chimera turned out to be a welcome showcase for Bill Nelson at his peak, commercially and creatively. Following the triumph of his 1982 album The Love That Whirls, the British guitarist built Chimera in the same vein, setting his romantic and erotic poetry to the sort of synthesized settings favored by his younger pop peers. However, where much of Nelson's previous output had been a virtual one-man show, the six songs here benefit from his new desire to collaborate, most notably with Yellow Magic Orchestra drummer Yukihiro Takahashi (whose band Nelson had produced).
A concept album celebrating a day in the life of an English Village. This instrumental album, is a sort of 'post-neo-classical' style…it's thematic, melodic and will give you hours of listening pleasure as you gradually become familiar with its multiple layers, colours and tonal textures. No guitars on this, only keyboards. The keyboard sounds are familiar from the backdrops to his usual releases, but the overall feel is orchestral, and not the usual ambient/pop/rock.