The Last Of The Neon Cynics is a collaborative project by Bill Nelson and comic book artist Matt Howarth. The download includes a 110 page high-rez full colour PDF graphic novel and all the original CD artwork. All music composed, played and recorded by Bill Nelson. Comic book graphic novel story and artwork by Matt Howarth.
ESOTERIC RECORDINGS imprint Cocteau Discs, the home of BILL NELSON’s catalogue between 1971 and 2001, continues their series of on-going releases with the newly remastered and expanded release of his 1986 album "GETTING THE HOLY GHOST ACROSS”. Released in 1986, the record was Bill’s sole album for the Portrait label, and was a superbly realised work. Previously released on CD as strictly limited edition of 500 copies on Bill’s Sonolux label, the album is hugely sought after on CD by collectors.
This album contains the music he was commissioned to write for artist Rob Ward's "Crimsworth" installation. This comes in the form of two lengthy tracks…
This compilation of Nelson's work over a ten-year span follows an earlier Cocteau set, The Two-fold Aspect of Everything, which compiled single releases and oddities. Nelson is amazingly prolific, with many albums to his credit, and a growing list of box sets in various forms…
Esoteric Recordings announce a new release on their recently launched Cocteau Discs imprint, a limited edition reissue of BILL NELSON’s classic 4 disc ambient boxed set "TRIAL BY INTIMACY (The Book of Splendours)”. The set was originally released on Bill’s Cocteau Records label in October 1984 and comprised recordings made by Bill at his Echo Observatory home studio. Comprising some eighty pieces of music, the set was a fine example of Bill Nelson’s grasp of Ambient music and has subsequently been hailed as a ground-breaking work. Long deleted, the set is made available once more with this newly re-mastered Cocteau Discs edition. The new release fully restores the original elements of the "TRIAL BY INTIMACY” box and is an exact facsimile, reproducing a 32 page book and eight art postcards that featured in the original set.
Released July 2012. Limited Edition of 1,000 CDs. 'Joy Through Amplification' is perhaps the most 'rock' oriented Bill Nelson album for some years. It features raw, edgy guitar work and strong percussion. The album's 13 vocal tracks are separated by 13 short, abstract guitar instrumental interludes which provide an experimental element, almost like an album within an album.
Originally planned as a mere stopgap release between albums, Chimera turned out to be a welcome showcase for Bill Nelson at his peak, commercially and creatively. Following the triumph of his 1982 album The Love That Whirls, the British guitarist built Chimera in the same vein, setting his romantic and erotic poetry to the sort of synthesized settings favored by his younger pop peers. However, where much of Nelson's previous output had been a virtual one-man show, the six songs here benefit from his new desire to collaborate, most notably with Yellow Magic Orchestra drummer Yukihiro Takahashi (whose band Nelson had produced).
A concept album celebrating a day in the life of an English Village. This instrumental album, is a sort of 'post-neo-classical' style…it's thematic, melodic and will give you hours of listening pleasure as you gradually become familiar with its multiple layers, colours and tonal textures. No guitars on this, only keyboards. The keyboard sounds are familiar from the backdrops to his usual releases, but the overall feel is orchestral, and not the usual ambient/pop/rock.
Following on from 2011's 'Model Village,' Sonoluxe's Super-Listener Series presents 'Songs Of The Blossom Tree Optimists,' a 15 track, neo-baroque, dream-folk album featuring acoustic guitars, minimalist orchestra and percussion, all topped off with Bill's melodic vocals. The album's lush odes to Spring and the rustic, sensual pleasures of imaginary Summer evenings take the listener down green and leafy paths to secret gardens and shining fountains. A splendid companion piece to 'Model Village' but at the same time something entirely new.
This is volume one in a series of albums designed to gather together rare and previously unreleased home recordings from the ‘80s onwards under the series title 'THESE TAPES REWIND'. From the mid ‘80s and into the early '90s my home studio, ('The Echo Observatory'), used a reel-to-reel analogue 16-track recorder. I mixed down via an analogue desk onto a very early SONY PCM F1 digital stereo machine. Whilst I released several albums recorded this way, there was a huge amount of material left 'on the shelf’.