Small Town presents guitarist Bill Frisell and bassist Thomas Morgan in a program of duets, the poetic chemistry of their playing captured live at New York s hallowed Village Vanguard. Small Town sees Frisell and Morgan pay homage to jazz elder Lee Konitz with his Subconscious Lee, and there are several country/blues-accented Frisell originals, including the hauntingly melodic title track. The duo caps the set with an inimitable treatment of John Barry's famous James Bond theme Goldfinger.
Lagrimas Mexicana is a completely unique collection of songs that draws heavily from traditional Latin and Brazilian rhythms, and weds them to 21st century jazz improvisation and sonic effects in a luxuriant braid of colors, textures, styles, and languages. Having known one another for 25 years, Brazilian guitarist, songwriter, and percussionist Vinicius Cantuaria and American guitarist Bill Frisell have occasionally played on one another's albums. Lagrimas Mexicana is an ambitious yet utterly accessible album that would have been just as at home on David Byrne's Luaka Bop label. It is at once warm, sexy, and visionary. It presents two different yet very complementary artists in a collaboration that borders on brilliant.
This relatively early set from Bill Frisell is a fine showcase for the utterly unique guitarist. Frisell has the ability to play nearly any extroverted style of music and his humor (check out the date's "Music I Heard") is rarely far below the surface. This particular quintet (with trumpeter Kenny Wheeler, tuba player Bob Stewart, electric bassist Jerome Harris and drummer Paul Motian) is not exactly short of original personalities and their outing (featuring seven Frisell compositions) is one of the most lively of all the ones in the ECM catalog.