Bill Evans Undercurrent

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster} [re-up]

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 224 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 600 dpi (jpg) -> 130 Mb | 5% repair rar
© 2002 Capitol / Blue Note | 7243 5 38228 2 8 | 24-bit remaster
Jazz / Post Bop / Modal Music

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall. These studio dates were a jump start for Evans' career, which he had placed on hold after the unexpected death of his bassist, Scott LaFaro, a few days following their historic Village Vanguard recordings were made. First reissued on CD in 1988, this 2002 edition features the same music, but remixed with gorgeous 24-bit sound and the songs re-sequenced into their original LP configuration, with the alternate takes and initially unissued tracks following them.
Bill Evans & Jim Hall - Undercurrent (King Records, Japan) Vinyl rip in 24 Bit/96 Khz + CD-format

Bill Evans & Jim Hall - Undercurrent (1962)
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 576 Mb, 133 Mb | 5% RAR Recovery
Styles: Jazz, Post Bop, Modal Music| Filesonic + FilePost
United Artist Records - King Records Japan (1976)

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall.
Bill Evans Trio - Everybody Digs Bill Evans (2010) {Analogue Productions 45rpm 180g} 24-bit/96kHz Vinyl Rip plus CD Version

Bill Evans Trio - Everybody Digs Bill Evans
Part of Bill Evans Riverside Recordings Box Set

Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
882 MB (24/96) + 261 MB (CD) | RAR 5% recovery | DR Analysis | Jazz | 1958
Analogue Productions ~ APJ-018 (2010)
45rpm Double LP mastered by Kevin Gray ~ Pressed in Germany

is the second record album by jazz musician Bill Evans, released in 1958. It was a trio date, recorded with Sam Jones and Philly Joe Jones.
Bill Evans - The Bill Evans Album (1971) 24-Bit/96-kHz Vinyl Rip

Bill Evans - The Bill Evans Album
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | Full Scan Covers | MU, FS | 947 MB 3% recovery
1971 | Genre: Jazz | Label: Columbia | 30855 | US pressing
Rated 4 out of 5 star by All Music Guide

Bill Evans made his debut on electric piano, usually playing it in conjunction with his acoustic piano. Joined by bassist Eddie Gomez and drummer Marty Morell, Evans performs seven of his stronger originals including "Funkallero," "The Two Lonely People," "Re: Person I Knew," "T.T.T." and "Waltz for Debby." Although not as distinctive on the electric keyboard as he was on the acoustic counterpart, Evans sounds inspired by its possibilities and is heard in top creative form throughout the date.
( Scott Yanow - AllMusic Guide )
Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 204 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb
© 2002 Capitol / Blue Note | 7243 5 38228 2 8 | 24-bit remaster
Jazz / Post Bop / Modal Music


Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall. These studio dates were a jump start for Evans' career, which he had placed on hold after the unexpected death of his bassist, Scott LaFaro, a few days following their historic Village Vanguard recordings were made. First reissued on CD in 1988, this 2002 edition features the same music, but remixed with gorgeous 24-bit sound and the songs re-sequenced into their original LP configuration, with the alternate takes and initially unissued tracks following them. An added bonus is the removal of the graphics from the striking cover photo, as well as the inclusion of a photo of Evans and Hall taken at one of the two sessions. The seamless way they swap between lead and supporting roles throughout gems such as the waltz-time "Skating in Central Park" adds to the overall appeal of the disc. Though the master take of "My Funny Valentine" has a smoother introduction, the alternate has more intriguing interplay between the two men. The other selections are every bit as masterful. Although Evans and Hall would later do a follow-up duo session for Verve, this memorable CD is the one to acquire first.

Bill Evans and Jim Hall - Undercurrent  

Posted by stfine at Aug. 20, 2007
Bill Evans and Jim Hall - Undercurrent

Bill Evans and Jim Hall - Undercurrent
Jazz | 1962 | 320kb/s MP3 | 120 MB

There are times, while listening to this recording, when you can't tell the difference between Evan's piano and Hall's guitar–and this is s good thing. Sometimes it seemed they were one magical musical mind, produced some of the most inspirational jazz of the late twentieth century, but they rarely worked together. The term "essential jazz" is used all too frequently, but if I were use this term, "Undercurrent" would be at the very top. Buy it, listen to it, treasure it. If you like this album, purchase "Intermodulation", too, and cherish these sips of musical genius.
Bill Evans - Some Other Time (1968/2016) [Official Digital Download DSD 128]

Bill Evans - Some Other Time: The Lost Session From The Black Forest (1968/2016)
DSF tracks 2CH, 1bit/5.64MHz | Digital Booklet | 7.4GB + 5% Recovery
Studio Master, Official Digital Download, 2xHD

Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).
Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}

Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 267 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (jpg) -> 99 Mb | 5% repair rar
© 1969, 2014 Verve Records / Universal Japan | UCCU-99047
Jazz / Post Bop / Modal Music / Piano / Flute

This LP has the debut of drummer Marty Morell with Bill Evans and bassist Eddie Gomez, and this particular trio would retain the same personnel for six productive years. Actually, this is a quartet set with guest flutist Jeremy Steig, whose playing recalls Herbie Mann's recording (Nirvana) with Evans back in the early '60s. Both flutists were always open to the influences of pop and rock, although in both of their collaborations with Evans, the music is very much on the pianist's turf. With the exception of Evans' "Time Out for Chris" and the "Spartacus Love Theme," the songs performed on this date would fit securely in the Miles Davis repertoire of the late '50s. Steig is in particularly fine form on the program which includes tunes such as "Straight No Chaser," "Autumn Leaves," and "So What."
Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 600 dpi (png) -> 225 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6392
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.
Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (png) -> 222 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6391
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.