Bill Evans Undercurrent

Bill Evans & Jim Hall - Undercurrent (King Records, Japan) Vinyl rip in 24 Bit/96 Khz + CD-format

Bill Evans & Jim Hall - Undercurrent (1962)
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 576 Mb, 133 Mb | 5% RAR Recovery
Styles: Jazz, Post Bop, Modal Music| Filesonic + FilePost
United Artist Records - King Records Japan (1976)

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall.
Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 204 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb
© 2002 Capitol / Blue Note | 7243 5 38228 2 8 | 24-bit remaster
Jazz / Post Bop / Modal Music


Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall. These studio dates were a jump start for Evans' career, which he had placed on hold after the unexpected death of his bassist, Scott LaFaro, a few days following their historic Village Vanguard recordings were made. First reissued on CD in 1988, this 2002 edition features the same music, but remixed with gorgeous 24-bit sound and the songs re-sequenced into their original LP configuration, with the alternate takes and initially unissued tracks following them. An added bonus is the removal of the graphics from the striking cover photo, as well as the inclusion of a photo of Evans and Hall taken at one of the two sessions. The seamless way they swap between lead and supporting roles throughout gems such as the waltz-time "Skating in Central Park" adds to the overall appeal of the disc. Though the master take of "My Funny Valentine" has a smoother introduction, the alternate has more intriguing interplay between the two men. The other selections are every bit as masterful. Although Evans and Hall would later do a follow-up duo session for Verve, this memorable CD is the one to acquire first.
Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}

Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 341 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 600 dpi (png) -> 531 Mb | 5% repair rar | 24bit remastering
© 1961, 2011 Riverside / Concord | 0888072326910
Jazz / Hard Bop / Saxophone / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Piano Themes By Bach, Chopin, Scriabin, Faure, Ogerman From the Verve Recording Bill Evans Trio with Symphony Orchestra

Piano Themes By Bach, Chopin, Scriabin, Faure, Ogerman From the Verve Recording Bill Evans Trio with Symphony Orchestra by Bill Evans
English | 1966 | ASIN: B00322EXV0 | 19 Pages | PDF | 0.66 MB
Bill Evans - Trio 64 (1964) [Japanese Limited SHM-SACD 2012] PS3 ISO + Hi-Res FLAC

Bill Evans - Trio 64 (1964) [Japanese Limited SHM-SACD 2012]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 35:23 minutes | Scans included | 1,06 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 809 MB[/center

Bill Evans - The Riverside Collection (2015)  Music

Posted by Pisulik at March 14, 2017
Bill Evans - The Riverside Collection (2015)

Bill Evans - The Riverside Collection (2015)
EAC Rip | FLAC (Tracks) +cue, log - 1 GB | 03:20:32
Jazz | Label: Not Now Music | Release Year: 2015

Evans, born in New Jersey in 1929, was by far the most individual and influential pianist to emerge during the 'hard bop' era of late-Fifties jazz. He created his own niche and, rather than try to fit into any particular style himself, allowed his own to fit in with others should they be interested. Evans was one of very few white musicians who most (though not all) black musicians were willing to accommodate. Enjoy 5 of his original jazz albums from the Riverside years from this superb 5 disc collection: "Waltz For Debby", "Moon Beams", "How My Heart Sings!", "Interplay" and "Know What I Mean?".

Bill Evans (Sax) - Petite Blonde (1992) {Lipstick Records}  Music

Posted by ruskaval at March 4, 2017
Bill Evans (Sax) - Petite Blonde (1992) {Lipstick Records}

Bill Evans (Sax) - Petite Blonde (1992) {Lipstick Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 360 Mb | MP3 @320 -> 147 Mb
Full Artwork @ 300 dpi (png) -> 47 Mb | 5% repair rar
© 1992 Lipstick Records | LIP 89012 2
Jazz / Post Bop

A live recording with cuts from two concerts in Germany, it was recorded live to 24-track and later remixed for an amazing sound quality for a live album. Evans expands on the style of the late Miles Davis and the album is sometimes reminiscent stylistically of We Want Miles, but it has an individual touch due to the contributions from the different bandmembers. It's one of those rare live albums that is really enjoyable even if you were not at one of the shows. This album was voted Best Album of the Month by several large German publications.
The Teddy Wilson Trio & Gerry Mulligan Quartet & Bill Evans - At Newport (1957) {2016 Japan Verve 60th Rare Albums Series}

The Teddy Wilson Trio & Gerry Mulligan Quartet & Bill Evans - At Newport (1957) {2016 Japan Verve 60th Rare Albums SHM-CD Reissue Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 154 Mb | MP3 @320 -> 123 Mb
Full Artwork @ 600 dpi (jpg) -> 56 Mb | 5% repair rar
© 1957, 2016 Verve / Universal Japan | UCCV-9631 | Mono
Jazz / Bop / Cool

Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Two different sides of Verve Records in the 50s – one modern, one a bit more traditional – and both represented in live material from the Newport Jazz Festival in 1957! Side one features a stunning live performance from pianist Teddy Wilson – working in a tight trio with Milt Hinton on bass and Spec Powell on drums – and really blowing away any conceptions we might have had about Wilson being aging or flowery at the time. Instead, he's got a sharp edge and command of the keys that's amazing – and which almost seems to have a bit more bite than usual in this concert setting.
Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017) [DSD128 + Hi-Res FLAC]

Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 89:50 minutes | 4,61 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 89:50 min | 1,57 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Live at Art D’Lugoff’s Top of the Gate, a previously unreleased recording captured over a half century ago consists of two blistering sets recorded at the legendary venue in October, 1968. Digitally remastered from the original tapes, the album features one of jazz’s most prominent trios – pianist Bill Evans, drummer Marty Morell and bassist Eddie Gomez.
Bill Evans / Shelly Manne - Empathy (1962/2014) [Official Digital Download 24bit/192kHz]

Bill Evans / Shelly Manne - Empathy (1962/2014)
FLAC tracks 24bit/192kHz | Front Cover | 1.33GB + 5% Recovery
Studio Master, Official Digital Download, Verve Reissues

This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio.