Bill Evans Undercurrent

Bill Evans & Jim Hall - Undercurrent (King Records, Japan) Vinyl rip in 24 Bit/96 Khz + CD-format

Bill Evans & Jim Hall - Undercurrent (1962)
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 576 Mb, 133 Mb | 5% RAR Recovery
Styles: Jazz, Post Bop, Modal Music| Filesonic + FilePost
United Artist Records - King Records Japan (1976)

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall.
Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 204 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb
© 2002 Capitol / Blue Note | 7243 5 38228 2 8 | 24-bit remaster
Jazz / Post Bop / Modal Music


Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall. These studio dates were a jump start for Evans' career, which he had placed on hold after the unexpected death of his bassist, Scott LaFaro, a few days following their historic Village Vanguard recordings were made. First reissued on CD in 1988, this 2002 edition features the same music, but remixed with gorgeous 24-bit sound and the songs re-sequenced into their original LP configuration, with the alternate takes and initially unissued tracks following them. An added bonus is the removal of the graphics from the striking cover photo, as well as the inclusion of a photo of Evans and Hall taken at one of the two sessions. The seamless way they swap between lead and supporting roles throughout gems such as the waltz-time "Skating in Central Park" adds to the overall appeal of the disc. Though the master take of "My Funny Valentine" has a smoother introduction, the alternate has more intriguing interplay between the two men. The other selections are every bit as masterful. Although Evans and Hall would later do a follow-up duo session for Verve, this memorable CD is the one to acquire first.

Bill Evans - The Riverside Collection (2015)  Music

Posted by Pisulik at March 14, 2017
Bill Evans - The Riverside Collection (2015)

Bill Evans - The Riverside Collection (2015)
EAC Rip | FLAC (Tracks) +cue, log - 1 GB | 03:20:32
Jazz | Label: Not Now Music | Release Year: 2015

Evans, born in New Jersey in 1929, was by far the most individual and influential pianist to emerge during the 'hard bop' era of late-Fifties jazz. He created his own niche and, rather than try to fit into any particular style himself, allowed his own to fit in with others should they be interested. Evans was one of very few white musicians who most (though not all) black musicians were willing to accommodate. Enjoy 5 of his original jazz albums from the Riverside years from this superb 5 disc collection: "Waltz For Debby", "Moon Beams", "How My Heart Sings!", "Interplay" and "Know What I Mean?".

Bill Evans (Sax) - Petite Blonde (1992) {Lipstick Records}  Music

Posted by ruskaval at March 4, 2017
Bill Evans (Sax) - Petite Blonde (1992) {Lipstick Records}

Bill Evans (Sax) - Petite Blonde (1992) {Lipstick Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 360 Mb | MP3 @320 -> 147 Mb
Full Artwork @ 300 dpi (png) -> 47 Mb | 5% repair rar
© 1992 Lipstick Records | LIP 89012 2
Jazz / Post Bop

A live recording with cuts from two concerts in Germany, it was recorded live to 24-track and later remixed for an amazing sound quality for a live album. Evans expands on the style of the late Miles Davis and the album is sometimes reminiscent stylistically of We Want Miles, but it has an individual touch due to the contributions from the different bandmembers. It's one of those rare live albums that is really enjoyable even if you were not at one of the shows. This album was voted Best Album of the Month by several large German publications.
The Teddy Wilson Trio & Gerry Mulligan Quartet & Bill Evans - At Newport (1957) {2016 Japan Verve 60th Rare Albums Series}

The Teddy Wilson Trio & Gerry Mulligan Quartet & Bill Evans - At Newport (1957) {2016 Japan Verve 60th Rare Albums SHM-CD Reissue Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 154 Mb | MP3 @320 -> 123 Mb
Full Artwork @ 600 dpi (jpg) -> 56 Mb | 5% repair rar
© 1957, 2016 Verve / Universal Japan | UCCV-9631 | Mono
Jazz / Bop / Cool

Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Two different sides of Verve Records in the 50s – one modern, one a bit more traditional – and both represented in live material from the Newport Jazz Festival in 1957! Side one features a stunning live performance from pianist Teddy Wilson – working in a tight trio with Milt Hinton on bass and Spec Powell on drums – and really blowing away any conceptions we might have had about Wilson being aging or flowery at the time. Instead, he's got a sharp edge and command of the keys that's amazing – and which almost seems to have a bit more bite than usual in this concert setting.
Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017) [DSD128 + Hi-Res FLAC]

Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 89:50 minutes | 4,61 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 89:50 min | 1,57 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Live at Art D’Lugoff’s Top of the Gate, a previously unreleased recording captured over a half century ago consists of two blistering sets recorded at the legendary venue in October, 1968. Digitally remastered from the original tapes, the album features one of jazz’s most prominent trios – pianist Bill Evans, drummer Marty Morell and bassist Eddie Gomez.
Bill Evans / Shelly Manne - Empathy (1962/2014) [Official Digital Download 24bit/192kHz]

Bill Evans / Shelly Manne - Empathy (1962/2014)
FLAC tracks 24bit/192kHz | Front Cover | 1.33GB + 5% Recovery
Studio Master, Official Digital Download, Verve Reissues

This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio.

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)  Music

Posted by Discograf_man at Jan. 19, 2017
Bill Evans - The Complete Riverside Recordings (12CDs, 1991)

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)
Bop, Post Bop, Cool Jazz | MP3 CBR 320 kbps | 1.82 GB
Label: Riverside Record | Release Year: 1991

William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.

Bill Evans - The Last Trio Live '80 (2006)  Music

Posted by robi62 at Dec. 24, 2016
Bill Evans - The Last Trio Live '80 (2006)

Bill Evans - The Last Trio Live '80 (2006)
Video: NTSC, MPEG-2 at 7 958 kb/s, 720 x 576 at 29.970 fps | Audio: PCM 2 channels at 1 536 kb/s, 48.0 kHz
Genre: Jazz | Label: Voa | Copy: Untouched | Release Date: 2 May 2006 | Runtime: 43 min. | 2,90GB (DVD5)

William John "Bill" Evans , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {1987, Reissue, Remastered} Re-post / New Rip

Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {1987, Reissue, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 298 Mb | MP3 CBR320 ~ 129 Mb
Scans (PNG, 300 dpi) ~ 55 Mb | RAR 5% Recovery
Jazz, Hard Bop | Riverside Records #RLP-9433 / Original Jazz Classics #OJCCD-105-2

Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of this impression. Adderley is undeniably a successful, widely-acclaimed artist, and it may seem to some that his success came quickly. But it is more in the nature of what one night-club comic once referred to bitterly as "my overnight success after fifteen years." To recap briefly, Cannonball came up to New York in the mid-'5Os with a thorough background as a player…