Along with its fellow CD, Groove Blues, this reissue fully documents all of the music recorded by tenor saxophonist Gene Ammons on the busy day of January 3, 1958. Although there were many guest soloists, only one of the four songs on this half of the set (Mal Waldron's "The Real McCoy") has appearances by John Coltrane (on alto) and the tenor of Paul Quinichette.
In this tutorial we look at many different techniques to help create bigger, deeper and cleaner mixes, including: Multiple different EQ techniques to allow you to sit each layer of each sound in it's own part of the frequency spectrum, and removing phasing issues between clashing frequencies; Different compression techniques, from using a compressor to control the dynamic range of a sound, to using a compression as a effect to create movement in the mix; Extensive use of layering to build up each sound, and group of sounds, and planning ahead with your productions to allow you more choices when it comes time to mix; And much more!
From small beginnings in Amy Lee's home town of Little Rock, Arkansas, Evanescence have grown to become a global phenomenon, with their blend of metal infused intensity, gothic melodrama and pop sensibility adhering them to legions of fans across the world. Members have come and gone with some frequency, but this hasn't stopped the band winning several Grammy Awards and selling millions upon millions of albums, as Amy Lee has lead her group through its many guises to achieve that rare combination of critical acclaim and commercial success.
Lorenzo Thompson (Chicago) and Jose Luis Pardo (Argentina) met in the late 90´s in Buenos Aires. Several years and shuffles later, destiny reunited them in a wild and fun tour around all Spain. By the end of the tour in Sept. 2010, they went into Studio in Mallorca Island with local band Big Yuyu´s solid base and Quique Gomez playing harp. The result is an exquisite blues album payin homage to the greats but with a refined and fresh touch. Both Pardo and Jordi Alvarez play the true stuff with short but accurate solos. The voice of Lorenzo fills every room and this you will hear. Quique´s big sound in his harmonica easily reminds us of Little Walter and Pep on drums and Juan Amaro on bass are not playing one wrong note in the entire CD. Enjoy this piece of recent blues history.
Few debut albums can boast as consistently solid an effort as the self-titled Chicago Transit Authority (1969). Even fewer can claim to have enough material to fill out a double-disc affair. Although this long- player was ultimately the septet's first national exposure, the group was far from the proverbial "overnight sensation." Under the guise of the Big Thing, the group soon to be known as CTA had been honing its eclectic blend of jazz, classical, and straight-ahead rock & roll in and around the Windy City for several years…
Beat-Club was a German music program that ran from September 1965 to December 1972. It was broadcast from Bremen, Germany on Erstes Deutsches Fernsehen, the national public TV channel of the ARD, and produced by one of its members, Radio Bremen, later co-produced by WDR following the 38th episode. It is notable for being the first German show to be based around popular music, and featured artists such as The Equals, Grateful Dead, Zager and Evans, Cream, Frank Zappa, The Rolling Stones, Gene Pitney, Ten Years After, Rory Gallagher, Led Zeppelin, Jimi Hendrix, Ike & Tina Turner, The Who, Black Sabbath, Harry Nilsson, David Bowie, The Bee Gees, The Beach Boys, Chicago, The Doors, Kraftwerk and Robin Gibb in its seven-year run. In 1972, it was replaced by Musikladen.