When Simple Minds released Black and White in 2005, it was obvious they'd been doing some creative soul searching in light of the success of bands clearly influenced by them, namely, the Killers and Manic Street Preachers. 2009's Graffiti Soul saw the return of drummer Mel Gaynor to the fold. He brought a familiar, tight, propulsive foundation to Charlie Burchill's guitar playing and Andy Gillespie's imaginative synths. Jim Kerr's alternately whispering and soaring vocals were still at the fore, but were showcased inside more economical songwriting, and Jez Coad's production celebrated the band's pop identity. Big Music finds Simple Minds coming full circle – going all the way back to 1979 for inspiration. They've rediscovered the urgent, keyboard-driven post-punk futurism of recordings such as Empires and Dance and Sons and Fascination.
Launched ten years ago by the saxo player Pierre Bertrand and the trumpeteer Nicolas Folmer, the Paris Jazz Big Band is extremely famous on the French Jazz scene with many awards like the Victoires du Jazz and Django d’Or. It has been mostly recognized for its creative repertoire and the orchestra has performed with prestigious singers like Diana Krall; Johnny Griffin, Richard Galliano or Michel Legrand. The aim of this new repertoire « Source(s) » was to follow the tracks of culture an d music from Africa, South Mediterranea and Latin America.
After the success of their first album « A suivre », the PJBB members have now chosen the Mediterranean as a playground. In a festive and warm atmosphere, their music is sometimes full of energy, sometimes of sensuality. The big band is still conducted by trumpet player Nicolas Folmer and saxist Pierre Bertrand, who composed almost all the pieces, except for two that were composed by their guest, the accordion player Richard Galliano.
Originally recorded in 1957, these sessions turned out to be the last the legendary Big Bill Broonzy would record; only a little over a year later, he succumbed to lung cancer. This collection consists not of fan or producer favorites, but Broonzy favorites, and includes a variety of blues, folk, and devotional music. Though he was instrumental to the development of the blues and the Chicago sound, much of the material on this three-disc set reaches back to the music that the blues came from, with a lot of drop-in help from Broonzy's friends, of which there were many. That makes these recordings not only recordings, but documentation, a testament to a bluesman who was at once musician and historian.
Killer funk compilation full of highlights from the music archives of Josef Weinberger Ltd. in London, pulled from the most famous library albums on labels like JW (Josef Weinberger/ Theme Music), IA (Impress) or PM (Programme Music). First selection of 16 lost tracks by Toni Campo, Midas Touch, Trevor Bastow, Sidney Dale or Vick Flick, oscillating between jazzfunk, soul music, proto techno and eastern-tinged disco, with open drum breaks, fat bass lines and plenty of horns/ wah wah/ organs/ vibes/ flutes/ electronic effects…