Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job.
Bicycle, an 86 minute documentary, asks the question why is cycling and the bicycle back in fashion? The film, which is directed by BAFTA winning director and keen cyclist Michael B.Clifford tells the story of cycling in the land that invented the modern bicycle, it’s birth, decline and re birth from Victorian origins to today.
Virginia based instrumental quartet with influences of MAHAVISHNU ORCHESTRA, with the guitar, bass, drums and violin format. the intricate tempo changes bring DIXIE DREGS right away to the experienced listener. The band has an excellent reputation when live on the stage. "Astronomy" is a blistering album of instrumental progressive fusion evoking bands like KING CRIMSON and The DREGS. Recommended to Fusion fans!
Beijing: young men in packs, machismo, class divisions, violence, and indifference. Guei arrives from the country: toothbrushes, hotel foyers, and Qin, a rich neighbor in high heels, dazzle him. He gets a job as a messenger. The company issues him a bike, which he must pay for out of his wages. When it is stolen, Guei hunts for it. A student, Jian, has it; for him, it's the key to teen society - with his pals and with Xiao, a girl he fancies. Guei finds the bike and stubbornly tries to reclaim it in the face of great odds. But for Jian to lose the bike would mean humiliation. The two young men - and the people around them - are swept up in the youths' desperation.
Although never succeeding like their contemporaries, multi-instrumentalist and songwriter Wilson Malone's band, the Orange Bicycle, issued late-'60s recordings that occasionally managed to hit the mark with their "U.S. West Coast harmony pop meets U.K. psychedelic pop" style. The early singles released on Columbia during 1967 and 1968 are resplendent with the motif-sweet harmonies, splashes of harpsichord, and fuzz guitar that filled the flower power era…